He calls it his crucifixion year.”
“I forgot. He’s also grandiose.”
“Give it a rest, big guy.”
“Is the convict coming with him?”
She made a face that feigned exasperation. Kermit Abelard, whose family at one time had owned almost half of St. Mary Parish, could not be accused of decadence or living on his family name. He had gone to acting school in New York and had published three novels, one of which had been adapted as a film. He had worked in the oil field when he could have been playing tennis and fishing for marlin in the Keys. Unfortunately, his egalitarian attitudes sometimes required others to pay a price, as was the case when he encouraged the entire crew on his drilling rig to join the union and got them and himself fired. Two years past, he had managed to work a parole from the Texas State Penitentiary at Huntsville for a celebrity convict author, a man who had been in and out of reformatories and jails since he was sixteen.
“Have you read The Green Cage ?” Alafair asked.
“I have. I got it from the library. I didn’t buy it.”
“You don’t think it’s a brilliant piece of writing?”
“Yeah, it is, for reasons the author and his admirers don’t seem to understand.”
She wasn’t taking the bait, so I slogged on. “It’s a great look inside the mind of a sociopath and narcissist and manipulator. Count the number of times the pronouns ‘I,’ ‘me,’ ‘mine,’ and ‘myself’ appear in each paragraph.”
“Somebody must have liked it. Robbie was a finalist in the National Book Awards.”
“Robbie?”
“Argue with someone else, Dave.”
I looked out at the evening traffic, at the birds gathering in the trees against a mauve-colored sunset. “Want to go for a run?” I said.
“I’m going to the park with Kermit. He’s reading the revision I did on the last chapter in my novel.”
I went inside the house. Molly had left a note on the kitchen table to the effect she was in Lafayette and would bring supper home. I changed into my gym shorts and a T-shirt and my running shoes, and in the backyard, under the supervision of our warrior cat, Snuggs, and our elderly raccoon, Tripod, I did fifty push-ups with my feet propped on a picnic bench, five reps of sixty-pound curls, three reps of military presses, and one hundred stomach crunches. It was cool and warm at the same time inside the shade of the trees, and the wind was blowing through the bamboo that separated our property from the next-door neighbor’s, and wisteria was blooming in big blue and lavender clumps on the side of her garage. I had almost forgotten my worries regarding Alafair and her willingness to trust people she shouldn’t; then I heard Kermit Abelard’s black Saab convertible pull into the driveway and a car door open and close. I did not hear it open and close and then open and close again. Which meant Kermit Abelard did not get out of his vehicle and approach the gallery and walk Alafair back to the car and open the car door for her. In my view, no one could accuse Kermit Abelard of going out of his way to be a gentleman.
I walked to the edge of the backyard so I could see through the porte cochere into the front. Kermit was backing into the street, the top down on his convertible, the dappled shade sliding off the hand-waxed surfaces, as though the cooling of the day and the attenuation of the light had been arranged especially for him. Alafair sat next to him on the rolled-leather seat. In back was a man whose face I had seen only on the flap of a book jacket.
I jogged down East Main, under the canopy of live oaks that spanned the entirety of the street, past The Shadows and the bed-and-breakfast that had been the residence of the plantation’s overseer, past the massive old brick post office and the Evangeline Theater, across the drawbridge at Burke Street and into City Park, where people were barbecuing under the shelters along the bayou and high school kids were playing a work-up