the front door, the best view is from the kitchen. Not a lot of walls in the downstairs, itâs all open except for a few columns. Sheâs, well, Iâll let you see for yourself.â
Now weâre talking .
They reached the front steps. Taylor took them two at a time. Just Renn was right on her tail. It wasnât her imagination; the command center had been set up on the porch of the house.
âMcKenzie? Why donât you suggest they move the command back a bit? We usually donât have all this activity so close to the scene. Thereâs a chance of contamination. Crime Scene 101, buddy.â
He looked down at the deck of the porch, chastised. She felt bad for snapping at him, mentally promised herself to be more careful. He was just a kid, learning the ropes. Sheâd been there once.
âItâs okay. We all make mistakes,â she said. It wasnât okay, but the damage was already done. Sheâd sort it out later.
Even with all the people worrying the scene, the interior of the house felt spacious. Teak floors, exposed beams, whitewashed walls, architectural and designer accoutrements. Elegant abstract paintings pranced along their neutral background to an exposed brick-and-stone fireplace.
The mood of the scene bothered her. The lack of concern about the exterior scene, the milling about, the simple fact that sheâd been called in all bespoke the worst. Something was happening, something more than a typical murder. She felt a lump form in her throat.
Under the drone of voices, she heard music. Faint strains of a classical compositionâ¦what was that? She felt a buzz of recognition, reached into her mind for the nameâDvoÅák. That was it. Symphony #9. In E minor. Years of training, even more as a minor aficionado, and it had still taken her a moment. Funny how the mind worked. Her fingers unconsciously curled in on themselves, moving lightly in time with the notes. Sheâd played clarinet growing up, thrilled with her budding expertise when she was a child, mortified by the time she was a teenager looking for some fun up on Love Circle.
Looking back, she was sorry sheâd given it up. Playing in a symphony had been one of her childhood desires, supplanted by the allure of law enforcement after a brief brush with the law when she was a teenager. Now she could see how that would have been quite satisfying. It was a game she rarely playedâif you werenât a cop, what would you be? Sheâd never been in a position to have to think about not being a cop. Now that she felt the jeopardy slipping in like catâs feet on a fog, sheâd started wondering again.
Taylor concentrated on the music. The last strains of the allegro con fuoco were fading away, then the opening movement started. A loop of the New World Symphony, as the piece was more commonly referred to. Bold and aggressive, lyrical and stunning. Sheâd always liked it.
She looked for the stereo, didnât see one. The music was all around her; it must be on a house-wide speaker system. It was hard to drag her attention away. She caught the eye of one of the techs she knew, Tim Davis. At least he was on the sceneâshe could count on him to preserve as much evidence as possible.
âTim, can you cut the music?â
He nodded. âYeah. Itâs on a built-in CD player. The controls are in the kitchen. I was waiting for you to hear it. The loop is driving us all mad. You know who it is?â
âDvoÅák. Symphony #9 . Keep that quiet, will you? I want to be sure that detail isnât leaked to the press. Theyâll seize on it and start giving this guy a name.â
She hadnât even seen the body, and she was already assuming the worst. Not surprising; the whole tenor of the crime scene screamed âunusual.â
âWhere are they, anyway?â
Tim glanced out the window. âChannel Five just pulled up. The others canât be far