and I stayed in his room for a short while. From then on it was no rare thing for us to bump into one another on the stairs or in the street, when we would exchange a few words. To start with, just as when we met by the araucaria, I always had a slight feeling that he was poking ironic fun at me. But this wasn’t the case. He had nothing but respect for me, positive respect, as for the araucaria plant. His isolation, his rootless existence ‘swimming in water’ had honestly convinced him that it was sometimes actually possible, without any hint of scorn, to regard with enthusiasm the everyday activity of normal citizens, for instance the way I went to work punctually in the office, or some expression used by a servant or the conductor of a tram. To begin with this struck me as a quite ridiculous and exaggerated response, the kind of whimsical sentimentality typical of a gentleman
flâneur
. However, I was increasingly forced to recognize that because of his very nature as alienated lone wolf, living as in a vacuum, he did in fact positively admire and love the small world most of us conventional people inhabit. It represented all that was solid and secure, homely and peaceful, but it was remote and unattainable since, for him, there was no road leading there. He showed genuine respect for our charwoman, the good soul, always raising his hat to her. And whenever my aunt had occasion to chat with him for a while,pointing out to him some item of laundry that needed repairing, say, or a loose button on his coat, he would listen to her with remarkable attention, weighing her every word. It was as if he were making indescribable, desperate efforts to force his way through some tiny chink into her little peaceful world, hoping to find a home there if only for a brief hour.
As early as our first conversation by the araucaria he called himself Steppenwolf, and this too I found a bit off-putting and disturbing. What kind of way to talk was that, I wondered. However, force of habit taught me to accept the term as valid, and soon it was the only thing I myself called the man in my private thoughts. Even to this day I couldn’t conceive of a more apt and accurate word for such a phenomenon. A stray wolf of the steppes, now part of the herd of city-dwellers – there could be no more compelling way of picturing him, his wary isolation, his wildness, his restlessness, his homelessness and his yearning for home.
Once I was able to observe him for a whole evening. I was at a symphony concert when, to my surprise, I saw him sitting close to me, though he hadn’t noticed my presence. The concert began with some Handel, a fine and beautiful piece, but Steppenwolf sat there immersed in himself, cut off from both the music and his surroundings. He was looking down at his feet like someone who didn’t belong there, a solitary and alien presence, his expression cool but careworn. Next came a different piece, a little symphony by Friedemann Bach, and I was quite astonished, after only a few bars, to see my strange loner start to smile and abandon himself to the music. He was completely absorbed, looking so engrossed in joyous reverie, so lost in contentment for what must have been a good ten minutes, that I paid more attention to him than to the music. When the piece came to an end he roused himself, sat up straighter and made as if to stand, apparently intent on leaving. However, he remained in his seat afterall, listening to the final piece as well. This was a set of variations by Reger, a composition that many felt to be rather long and wearying. To begin with Steppenwolf showed willing, continuing to listen attentively, but he too switched off again, putting his hands in his pockets and withdrawing once more into himself. This time, however, there was no sign of joyous reverie. He appeared to be sad and, in the end, cross. His face was grey and lifeless, its expression again distant. He looked old, unwell and discontented.
After the