Street.
Beside the Professor, that ant-man was genteel.
‘Who are you?’ I asked, unaccustomed to the reverential tone I heard in my own voice. ‘What are you?’
Moriarty smiled his adder’s smile.
And I relaxed. I knew. My destiny and his wound together. It was a sensation I’d never got before upon meeting a man. When I’d had it from women, the upshot ranged from disappointment to attempted murder. Understand me, Professor James Moriarty was a hateful man, the most hateful, hateable, creature I have ever known, not excluding Sir Augustus and Kali’s Kitten and the Abominable Bloody Snow-Bastard and the Reverend Henry James Prince [1] . He was something man-shaped that had crawled out from under a rock and moved into the manor house. But, at that moment, I was his, and I remain his forever. If I am remembered, it will be because I knew him. From that day on, he was my father, my commanding officer, my heathen idol, my fortune and terror and rapture.
God, I could have done with a stiff drink.
Instead, the Professor tinkled a silly little bell and Mrs Halifax trotted in with a tray of tea. One look and I could tell she was his, too. Stamford had understated the case when he said half the folk in the Criterion Bar worked for Moriarty. My guess is that, at bottom, the whole world worked for him. They’ve called him the Napoleon of Crime, but that’s just putting what he is, what he does, in a cage. He’s not a criminal, he is crime itself, sin raised to an art form, a church with no religion but rapine, a God of Evil. Pardon my purple prose, but there it is. Moriarty brings things out in people, things from their depths.
He poured me tea.
‘I have had an eye on you for some time, Colonel Moran. Some little time. Your dossier is thick, in here...’
He tapped his concave temple.
This was literally true. He kept no notes, no files, no address book or appointment diary. It was all in his head. Someone who knows more than I do about sums told me that Moriarty’s greatest feat was to write The Dynamics of an Asteroid, his magnum opus, in perfect first draft. From his mind to paper, with no preliminary notations or pencilled workings, never thinking forward to plan or skipping back to correct. As if he were singing ‘one long, pure note of astro-mathematics, like a castrato nightingale delivering a hundred-thousand-word telegram from Prometheus.’
‘You have come to these rooms and have already seen too much to leave...’
An ice-blade slid through my ribs into my heart.
‘...except as, we might say, one of the family’.
The ice melted, and I felt tingly and warm. With the phrase, ‘one of the family’, he had arched his eyebrow invitingly.
He stroked Tibbles, who was starting to leak and make nasty little noises.
‘We are a large family, many cells with no knowledge of each other, devoted to varied pursuits. Most, though not all, are concerned with money. I own that other elements of our enterprise interest me far more. We are alike in that. You only think you gamble for money. In fact, you gamble to lose. You even hunt to lose, knowing you must eventually be eaten by a predator more fearsome than yourself. For you, it is an emotional, instinctual, sensual thrill. For me, there are intellectual, aesthetic, spiritual rewards. But, inconveniently, money must come into it. A great deal of money.’
As I said, he had me sold already. If a great deal of money was to be had, Moran was in.
‘The Firm is available for contract work. You understand? We have clients who bring problems to us. We solve them, using whatever skills we have to hand. If there is advantage to us beyond the agreed fee, we seize it...’
He made a fist in the air, as if squeezing a microbe to death.
‘...if our interests happen to run counter to those of the client, we settle the matter in such a way that is ultimately convenient to us, while our patron does not realise precisely what has happened. This, also, you