Sophie.
Photograph: Grandfather, 1915
Itâs the Bronx, Barretto Point, so the sea
cannot be far away. But all we have to go on
is the lone pine in the distanceâ the rest
bleached by the chemistry of time. Also
thereâs this young man in the foreground, squatting
with his forearms balanced on the fulcrum of his knees,
speaking to whatâs disappeared. It is a blur
resembling a woman with her arm extended,
urging him to follow. Soon the Great Depression
will also call him, and for lack of other work
will send him downstairs to the boiler
where heâll nurse the chromosome of sadness
while his words turn into coal. But he was not really
down there with the onions and potatoesâ
in a moment, he will follow her
into the waters off Barretto Point, which will turn his good white shirt
translucent. Like the translucence he was led by,
but in this picture he hasnât risen yet
to cross the muddy shoreline. Heâs still crouched
in the upland, growing misty with the nebula who touches him,
misty at the prospect of his likewise turning into mist
as the camera makes this record of their betrothal.
Gleaner at the Equinox
Dusk takes dictation from the houses.
Sometimes sobs and sometimes screamsâ
laughter, too, though it doesnât settle like the others
into the hollows of the Virgin Maryâs face.
In her concrete gown, sheâs standing by
the satellite dish absorbing for the trailer on the corner,
wearing shoulder pads of Asian pears I stole some of
before the windfall fell. When the dog
lifts his leg to soil a withered rose I say
Good boy.
Nightshade vines overtake the house of the widow,
their flowers turned into yellow berries
that there are no birds in nature idiot enough
to mistake for food.
after Dick Barnes
Lubricating the Void
Heidemarie Stefanyshyn-Piper: I can barely pronounce your name
but have been thinking of you ever since your grease gun
erupted into space. Causing your tool bag to slip
beyond the reach of your white glove, when you were attempting
to repair the space stationâs solar wing. Thanks
for that clump of languageâ
solar wing!
One of the clumps
of magic shat out by our errors. And thanks
to your helmet cameraâs not getting smeared,
in the inch between your glove and bagâ irrevocable inchâ
we see the blue Earth, glowing so lit-upâdly despite the crap
that weâve dumped in its oceans, a billion tons of plastic beads,
precursors to the action figures that come with our Happy Meals.
Precursors to the modern Christmas tree and handle of the modern ax.
Precursors to the belts and jackets of the vegans.
The cleanup crews call them
mermaidâs tears,
as if a woman
living in the water would need to weep in polymer
so that her effort would not be lost/so that there would be proof
of her lament, say for the great Trash Vortex
swirling in the current, for the bellies of the albatrosses
filling up with tears that canât be broken down.
For the smell of mildew in the creases of ruptured beach balls,
for seabirds strangled by what makes the six-pack possible,
for flip-flops that wash up so consistently alone
they cause disturbing dreams about one-legged tribes
(described by Pliny before he sailed across the Bay of Naples,
into Mount Vesuviusâs toxic spume).
Dreams logical, Heidemarie, given the fearful data.
Dreams had by us who live 220 miles below.
Queasy from our spinning but still holding on,
with no idea we are so brightly shining.
Not Housewives, Not Widows
Bad luck to enter the houses of old women, a commandment
broken when I entered their stone cottage, two streets over,
covered in vines that twirled around a rusted swing set
though they had no child. That they were witches: a conclusion
come to, given that they wore the clothes of men,
their wool caps covering their secret hair, their house
so laced in greenwork that it seemed continuous with