dozen purple mimeographed handouts, which we both knew were useless.
Back at the house my mother had my dinner warming in the oven. From the living room came the aimless whisper of Lisa’s flute. It sounded not unlike the wind whipping through an empty Pepsi can. Down in the basement either Gretchen was practicing her piano or the cat was chasing a moth across the keys. My mother responded by turning up the volume on the kitchen TV while my father pushed back my plate, set Joan in my lap, and instructed me to play.
“Listen to this,” he crowed. “A house full of music! Man, this is beautiful.”
You certainly couldn’t accuse him of being unsupportive. His enthusiasm bordered on mania, yet still it failed to inspire us. During practice sessions my sisters and I would eat potato chips, scowling at our hated instruments and speculating on the lives of our music teachers. They were all peculiar in one way or another, but with a midget, I’d definitely won the my-teacher-is-stranger-than-yours competition. I wondered where Mister Mancini lived and who he might call in case of an emergency. Did he stand on a chair in order to shave, or was his home customized to meet his needs? I’d look at the laundry hamper or beer cooler, thinking that if it came down to it, Mister Mancini could hide just about anywhere.
Though I thought of him constantly, I grabbed any excuse to avoid my guitar.
“I’ve been doing just what you told me to do,” I’d say at the beginning of each lesson, “but I just can’t get the hang of it. Maybe my fingers are too shor -… I mean litt -… I mean, maybe I’m just not coordinated enough.” He’d arrange Joan in my lap, pick up Beth, and tell me to follow along. “You need to believe you’re playing an actual woman,” he’d say. “Just grab her by the neck and make her holler.”
Mr. Mancini had a singular talent for making me uncomfortable. He forced me to consider things I’d rather not think about - the sex of my guitar, for instance. If I honestly wanted to put my hands on a woman, would that automatically mean I could play? Gretchen’s teacher never told her to think of her piano as a boy. Neither did Lisa’s flute teacher, though in that case the analogy was fairly obvious. On the off chance that sexual desire was all it took, I steered clear of Lisa’s instrument, fearing I might be labeled a prodigy. The best solution was to become a singer and leave the instruments to other people. A song stylist - that was what I wanted to be.
I was at the mall with my mother one afternoon when I spotted Mister Mancini ordering a hamburger at Scotty’s Chuck Wagon, a fast-food restaurant located a few doors down from the music shop. He sometimes mentioned having lunch with a salesgirl from Jolly’s Jewelers, “a real looker,” but on this day he was alone. Mister Mancini had to stand on his tiptoes to ask for his hamburger, and even then his head failed to reach the counter. The passing adults politely looked away, but their children were decidedly more vocal. A toddler ambled up on his chubby bowed legs, attempting to embrace my teacher with ketchup-smeared fingers, while a party of elementary-school students openly stared in wonder. Even worse was the group of adolescents, boys my own age, who sat gathered around a large table. “Go back to Oz, munchkin,” one of them said, and his friends shook with laughter. Tray in hand, Mister Mancini took a seat and pretended not to notice. The boys weren’t yelling, but anyone could tell that they were making fun of him. “Honestly, Mother,” I said, “do they have to be such monsters?” Beneath my moral outrage was a strong sense of possessiveness, a fury that other people were sinking their hooks into my own personal midget. What did they know about this man? I was the one who lit his cigarettes and listened as he denounced the careers of so-called pretty boys such as Glen Campbell and Bobby Goldsboro. It was I who had suffered