celebrity and gained a following, but his star was fading. Hollywoodâs nouveau riche are a fickle bunch. One week youâre a must-have, the next, not so much. In another year, he could easily be forgotten, replaced by the next great discovery. Bottom line, he was too self-centered to let that happen. I donât believe he would check out without a fight. His ego wouldnât let him.â
âMaybe he ran out of ideas,â Frank reasons. âAnd legends are born when they die young.â
âCould be, but the indefinable thing that makes a true artist is soul. Peel back the layers and you find an unquenchable desire to leave a mark, create a kind of immortality.â
âYouâre making a strong case for suicide,â Frank says.
I shake my head. âThereâs also the ego factor. Making a mark is important but totally pointless if youâre not around to bask in the glory. Diego didnât want to be Van Gogh, dying a pauper with nothing but rejection to show for a lifeâs work. He wanted to be Picasso, Dali, Warholâworshipped while he walked the earth. Thatâs why his limited-edition prints were practically limitless. And thatâs why he was letting his art be used on ties for rich businessmen and on print ads for perfume. Pretty soon he would be doing Converse shoes and Christmas wrap.â
âEveryoneâs a critic.â Frank rubs his temples.
âTrue, but I know what Iâm talking about. We used to argue into the small hoursââ
âWhat a minute,â Frank says. âYou know the victim?â
Iâm not big into kissing and telling to friends who happen to be colleagues. Or colleagues who happen to be friends. Whatever.
âBefore he became a name.â
Frank has the kind of disapproving smile that makes children cry.
He sighs heavily. âOK. Letâs suppose youâre right. If itâs not suicide, whatâs the motive for murder?â
âBeats the hell out of me.â
Frank guffaws so loudly that the two officers turn to stare.
âExcuse me, then,â he says. âWhile I look for a note.â
_____
âPlease donât touchthat,â cries a nasally voice from the doorway.
Frank looks up from the bloodied canvas as a smartly dressed man, a gaily colored ascot swirling wildly around his throat, trots in from the hall.
âStop right where you are!â Frank yells, a finger the size of a small truncheon stabbing the air.
The magic finger seems to do the trick as the man stops stock still, every part of him frozen except for rapidly blinking eyes and a creepy caterpillar moustache that squirms beneath a long, hooked nose.
A silver-haired officer with a face the color of boiled beets and a gut the size of a vodka-infused watermelon arrives close behind. His lungs are expanding and contracting so rapidly he looks about to have a coronary.
âIf youâre going to die, do it outside,â Frank warns the officer. âMy crime scene is busy enough.â
Ascot man chances a look over his shoulder at the gasping officer.
âWho are you?â Frank demands.
The manâs neck snaps back around so quickly, I imagine chiropractors wincing in their sleep.
âMy name is unimportant, but I implore you not to touch that painting.â The man lifts a white handkerchief to cover his nose and mouth.
Until the handkerchief raises the issue, I canât say I noticed an unpleasant smell. Some crime scenes are nasty, especially if the bodies have been lying around for a while or the victims really went to town on a greasy last meal. But this one isnât bad at all, which makes me wonder why.
âYour name,â Frank growls. âAnd howâd you get up here?â
This last question is directed at the officer in the hallway who is still a noticeably unhealthy color.
The thin man stiffens, but one hand still manages to snake into a jacket pocket to produce a plain