taste was stale in his mouth and he poured the remainder down the sink. There was a bottle of whisky in the cupboard, only recently opened, but he knew better than to start down that route too soon.
In the living room, he switched on the TV, flicked through the channels, switched off again; he made a cup of tea and glanced at that dayâs paper, one of Marianneâs magazines. Every fifteen minutes, he looked at his watch. When he thought heâd given them time enough, he phoned.
Marianneâs father came on the line. Soft-spoken, understanding, calm. âIâm sorry, Tom. She doesnât want to speak to you right now. Perhaps tomorrow, tomorrow evening. Sheâll call you.⦠The twins? Theyâre sleeping, fast off. Put them to bed as soon as they arrived.⦠Iâll be sure to give them your love. Yes, of course. Of course.⦠Goodnight, Tom. Goodnight.â
Around nine, Whitemore called a taxi and went across the city to the Five Ways pub in Sherwood. In the back room Jake McMahon and a bunch of the usual reprobates were charging through Cannonball Adderleyâs âJeannineâ. A Duke Pearson tune, but because Whitemore had first heard it on Adderleyâs Them Dirty Blues â Cannonball on alto alongside his trumpeter brother, Nat â it was forever associated with the saxophonist in his mind.
Whitemoreâs father had given him the recording as a sixteenth birthday present, when Tomâs mind had been more full of TâPau and the Pet Shop Boys, Whitney Houston and Madonna. But eventually he had given it a listen, late in his room, and something had stuck.
One of the best nights he remembered spending with his father before the older man took himself off to a retirement chalet in Devon had been spent here, drinking John Smithâs bitter and listening to the band play another Adderley special, âSack Oâ Woeâ.
Jake McMahon came over to him in the break and shook his hand. âNot seen you in a while.â
Whitemore forced a smile. âYou know how it is, this and that.â
McMahon nodded. âYour dad, he okay?â
âKeeping pretty well.â
âYouâll give him my best.â
âOf course.â
Whitemore stayed for most of the second set then called for a cab from the phone alongside the bar.
*
Darren Pitcher moved in with Emma Laurie and her three children. October became November, became December. Most Sundays Whitemore drove out to his in-lawsâ bungalow on the coast, where the twins threw themselves at him with delight and he played rough and tumble with them on the beach if the cold allowed, and if not, tussled with them on the living-room settee. Marianneâs parents stepped around him warily, keeping their thoughts to themselves. If he tried to get Marianne off on her own, she resisted, made excuses. Conversation between them was difficult.
âWhen will we see you again?â she asked one evening as he was leaving.
âWhen are you coming home?â he asked. Christmas was less than three weeks away.
âTom, I donât know.â
âBut you are coming? Coming back?â
She turned her face aside. âDonât rush me, all right?â
It was just two days later that Bridget Arthur phoned Whitemore in his office, the first call of the day. Emma Laurie was waiting for them, agitated, at her front door. She had come back from work to find Pitcher with Jason, the elder of her two sons, on his lap; Jason had been sitting on a towel, naked, and Pitcher had been rubbing Vaseline between his legs.
Whitemore and Arthur exchanged glances.
âDid he have a reason?â Arthur asked.
âHe said Jason was sore, said heâd been complaining about being sore â¦â
âAnd you donât believe him?â
âIf he was sore,â Emma said, âit was âcause of what Darren was doing. You know that as well as me.â
âWhere is Darren now?â