feels the same way about you?â
âI hope so. Iâve asked her father for permission, and he said yes.â
âBut the girl, Ox. What does the girl say? Itâs more or less the crux of the whole business, isnât it?â
âWell, I havenât asked her yet. But I think sheâll agree.â He gnaws another chunk from his bread. âIâm sure sheâll agree. Sheâs the sweetest thing, sis.â
âAnd blind, obviously.â
âNow, sisââ
âAnd rich. Sheâs got to be rich.â
âSis.â
From the downcasting of his eyelashes, I can see Iâve hit the nail straight on its bent old head. I say tenderly, âSheâs got to be rich, hasnât she, or youâd just do what you always do, when the love beetle nibbles.â
âNo, no. This time I really mean it.â
âOf course you do. Iâm sure sheâs a sweet, lovely girl, and her money has nothing to do with it.â I pause. âHow much has she got?â
âI donât know, exactly.â He leans against the wall, on the other side of the roof beam that slopes away from the dresser.
âOh yes you do. Down to the plug nickel, Iâll bet.â
The coals have begun to catch on, and the stove is getting hot, though not so much that my icy bones are inclined to step away. Ox is examining the floor now, and his arms are folded, the way he used to look when we were children and heâd been caught in some kind of mischief. The slope ofhis shoulders suggests confession. âHer fatherâs got a patent on something or other, something that speeds up the manufacture of industrial . . . industrial . . .â He screws up his eyes.
âDonât hurt yourself. Iâve got the general idea. How much are we talking about? Thousands?â
He looks up, and his eyes are a little sparky. âMillions.â
â What?â
âHe licenses the design out, you know, and the revenue from that alone is one and a half million dollars a year, give or take a hundred thousandââ
I clutch the roof beam.
ââwhich is pure profit, you know, because he doesnât have to make theâthe thingamajig himself. They just pay him for the design. Itâs patented .â He pronounces the word patented with triumphant emphasis, as he might say gold-plated.
âYes, Ox, darling. I understand what a patent is.â In the midst of my beam-clutching shock, the shawl has sagged away from my shoulders. I resume both balance and composure and tuck myself back in while these extraordinary numbers harden into round marbles and roll, glimmering, back and forth across the surface of my mind. How could a man invent a single object and then vaultâvault with such marvelous, casual ease!âover the accumulated wealth of no less than Mr. Thomas Sylvester Marshall of Fifth Avenue, whose father once supplied the entire Union Army with canned ham? A wealth that had dazzled me at seventeen. The company had naturally been sold in the seventiesâcanned ham being incompatible with the social aspirations of so keenly ambitious a woman as Mrs. Thomas Sylvester Marshall, my mother-in-lawâand the proceeds invested in such a manner that a passive two hundred thousand dollarsâgive or take ten thousandâstill drift gently into the Marshall coffers each year, enough to keep us all in silks and horses and ennui. But two hundred thousand is not one million five hundred thousand. A patent: well, thatâs a different kind of capital altogether. A patent suggests activity. Suggests having actually earned something.
I take the soft fringe of the shawl and rub it between my thumb and forefinger, in much the same way that the Boy caresses my hair. âGracious me. Sheâs quite a catch, then. Pretty and sweet and loaded. Does she have anyone to share all this lovely money with?â
âAn older sister. Virginia. Sheâs