horse.â
The colonelâs eyes widened momentarily and then they narrowed. âScare the horse.â
âYessir,â Russell said.
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Russell would say that his grandfather had taught him to ride, but his grandfather always said he hadnât taught the boy a thing. At stock shows and county fairs, at rodeos and clinics, men would tell Leroy Crider how well heâd instructed his grandson.
âI didnât instruct nothing,â Crider would say. âJust the way he was born.â
The men would nod and smile and sip from their Styrofoam cups of coffee, small cups, six ounces. They thought the old man was being modest, but Crider never numbered modesty among his sins. Stubbornness, yes. Ignorance. Heâd admit, at times, to outright lunacy. But he was not a modest man, and heâd taught his grandson nothing about horses he didnât already know.
Elijah, for his part, had no sense of when heâd learned what he knew, and he couldnât even recall the first time he sat a horse. They seemed to inhabit his memories in much the same way as sunlight or wind or his grandmotherâs voice: they were inexplicably and undeniably there.
His first word was the name of his Welsh Mountain pony, a palomino named Cream. He had the white face and stockings, and he was only thirteen handsâa very gentle little horse. His grandfather would saddle him and lead him around the corral with Elijah on his back and still in diapers, Elijahâs grandmother standing in one corner of the pen with her arms cradled against her and her elbows in her palms.
âYou get that baby off him,â sheâd say.
âHe ainât hurting nothing,â Crider would tell her, and sheâd respond it wasnât the pony she was worried about.
âThat thing could buck,â sheâd say. âYou donât know what it could do.â
Crider ignored her. He led the pony very slowly by a leather halter, Elijah seated against the pommel with both hands on the horn, his toddlerâs legs bouncing.
By the age of five he could ride this animal unsupervised to the barbed-wire fence at the end of the south pasture. By seven, he could saddle and cinch and push the horse to a canter. He was performing in childrenâs rodeos before his tenth birthday, and when he was thirteen he was employed by Lee Brothers Horse and Cattle Auction outside Skiatook, riding show ponies through the cast-iron chute and then down a short concrete tunnel, emerging into the half-acre expanse of loose powdered dirt skirted on four sides by an eight-foot wall, atop which bleachers ascended toward the fluorescent lights hanging high above. From the arenaâs floor he could only see the first few rows of horse and cattle buyers, their stone faces and cowboy hats, many in ball caps advertising feed stores, barbeque joints and rib shacks, farm-equipment suppliers, and Tinker Air Force Base, where more and more would commute as the farms went bankrupt and the ranches sold to oil companies. Heâd walk the animals in a slow circle while the auctioneerâs voice boomed from the speakers in its sharp, staccato twang and men in the audience lifted a hand or gestured their bids with the touch of a hat brim.
âGoing four, four, four. Whoâll give me four? Got four. Now four and a quarter, four and a quarter, now five, five, five. Got five. Five and a half, five and a half, five and a half. Thank you, sir. Now six, six, six.â
Heâd circle the arena floor at a slow trot, with the auctioneer singing in his ears and the smell of horse and dust and manure and the clean scent of straw still in his nostrils, turning the pony with a squeeze of his thighs and just the slightest pull of the reins, bringing the animal to a halt, turning it once more and then again at the auctioneerâs commandââGot seven, got seven, got seven, now eight, now eight, whoâll give me eight?ââgestures now