happened. Get over there, will you, and send Toulmin sniffing.â
âFor what in particular?â
âThis love affair I mentioned. Stalin and Hitler.â
âAn alliance between Moscow and Berlin?â
âAn alliance, a treaty.â
Mount felt left behind. âExcuse me, sir, but donât most people see Germany and Russia as out-and-out political enemies: one fascist, the other Commie?â
âYes, perhaps most people do see Russia and Germany as natural enemies. But Iâd like you to ask Toulmin to find whether thereâve been any private dealings, or preparations for dealings, or soundings-out for preparations for dealings, or soundings-out for soundings-out for preparations for dealings, between Moscow and Berlin. That is his objective, and yours, Marcus. Discover whether a new agreement is being cooked up.â Some of Bilsonâs army experience poked through there. Troops had to have clear, simple objectives. Mount and, via him, Toulmin, were SBâs foot soldiers. âThis is not an unhazardous one for Toulmin,â SB said. âI hope weâre always careful in what we ask our agents to do for us. Make it plain that weâll try all we know to protect him and get him, and any family, out of Germany if matters turn rough. And weâll up his retainer, of course. Go very cagily, Marcus. Jerry is improving his counter-us operation all the time. Matters, when they do turn rough there, turn very rough. The Third Reich is a new Reich and still feels vulnerable. Therefore, it defends itself ferociously.â
Then, Bilson seemed deliberately to move away from the perils of the operation. He said: âAn earlier German leader, Bismark, asked those around him, âWhatâs the secret of politics?â Answer? âMake a good treaty with Russia.â Perhaps Hitler believes likewise. You and Toulmin will, I know, find out. Off you go, lad.â
In the evening, after making himself a meal in the Steglitz flat, Mount went to the nearby huge Titania-Palast cinema, also built in that New Objectivity mode. Hitler and the Nazis disliked the styleâs plainness, coolness, lack of the ornate. They were Romantics â dark Romantics, but Romantics â driven by dangerous, passionate nationalism, dangerously boundless ambition, dangerous, master race, völkisch myth. Buildings should tally â should be something beyond the serviceable. Architecture should not just stand there and get used, it should assert, it should proclaim, the new, formidable, bold spirit of modern Germany.
Thereâd be no more New Objectivity architecture. In one aspect, Mount found this odd: an alternative translation of Neue Sachlichkeit was âNew Sobrietyâ, and surely the teetotal Führer should have approved.
Mount watched Der Blaue Engel â The Blue Angel â part of a Marlene Dietrich festival: the first German sound movie, and mesmeric. Heâd left the apartment blinds up and the lights on. Good job Hitler had got the electric industry working well after some bad interludes. Compare Mussoâs success in making Italian trains run to time.
TWO
W hen Mount returned after the film, he saw from the street that his windows no longer showed lights. But this was all right, wasnât it? This was positive, wasnât it? For a moment, heâd felt shocked. Why, though? Toulmin must be there, obediently waiting. He had lowered the blinds, reversed the signal: clever. Blinds up meant: âI, alias Naughton, am here in Berlin and want to see you, Toulmin.â Blinds down meant: âI, alias Toulmin, am here in your snuggery, Stanley, or most likely alias Stanley, awaiting your return.â Perhaps, also, he felt more secure with the glass covered, even on the second floor. Toulmin would occasionally get nervy. Well, of course heâd get nervy. He spied. Nerviness went with this game. So did a vengeful death for those who played it. All regimes