positively luminous, irradiated by her glamorous hazel eyes; her beautiful white teeth, bright and gleaming, were framed by a mouth with rather large sensual lips, as soft to the eye as they would be to kiss.
Jacqueline twisted her reddish-brown hair into an amusing little bun, and smiled at Ursula with a well-bred graciousness precisely suited to her appearance.
Mickey was laughing over the way we looked; she laughed over everything and over nothing, eager to find fun. Her pale blue eyes were perpetually wide-open, and her nose puckered out of sight when she laughed. Because of her mixed Anglo-French parentage, she spoke French always with that quaint little British accent which added another droll quality to her fun-loving air.
"Are you English?" Jacqueline asked her.
"No, I'm French," Mickey insisted, repeating her history. "My mother is English and my father is French, but I'm French! I just came from France. I adore France!"
With her impulsive warmth, she seemed to be establishing herself as a firm friend of Jacqueline's. And indeed, Jacqueline responded to her as to someone who was also, obviously, from a family with good breeding.
The silken, precious-looking Jacqueline came from the world of the aristocracy. Her story, too, came out soon enough. She was among us almost as a runaway, to escape a depressing family life, mangled as it can sometimes become only in high society. Jacqueline's father had died when she was a child of seven, and her mother had remarried only a year later. Jacqueline had never liked her stepfather, and as soon as she reached adolescence the child had discovered that her beauty carried with it something of disaster and doom. Her stepfather's too pressing attentions had aroused a frightened loathing in Jacqueline, and as soon as she was old enough she had seized the first opportunity to escape from her family on an exchange visit with some of their friends in England. But there too her beauty had won her too much attention, and one night she had tried to escape by dropping from the roof, and had injured herself quite seriously. As soon as she felt well enough, she had come to London to enlist.
The corporal shouted, "Form ranks in pairs, and try to march in step if you can. Forward march!"
With much confusion we managed to form ranks. The scene reminded us somehow of our classroom days.
"Silence!" cried the corporal, and our little column marched out of the room, with the women jostling each other and choking back their laughter as they squeezed through the narrow doorway.
Outdoors, in the street, it began to rain; a small, fine, clinging rain, sharp and cold. No one marched in step. I was surprised how difficult it was, since marching always looked so easy when one watched a parade of soldiers. I was in line with Ursula. "I never believed marching was something that had to be learned," she remarked, and blushed for having offered her observation.
A few passers-by turned to look at us. I wondered whether they could possibly realize how much that march meant to us. We were literally marching into a completely new life. I kept saying to myself, This is what I wanted. This is what I came for. This is the first time that I decided on something for myself, and made it come true. And it gave me a frightening sense of entering not only the Army, but life itself.
And so we marched behind the corporal, who had placed Ann at the head of the column, and it was a ridiculous column, zigzagging, with the tall and the short all jumbled together, a column of women half running, in our ill-fitting uniforms, too long, too short, too wide. But neither long-striding Ann nor the glowing Jacqueline nor the elderly woman with the coarse voice nor even the fun-loving Mickey—not any of us thought of laughing.
Chapter 2
A truck stood in front of our barracks, and a soldier was gesticulating for assistance; there was luggage and furniture to be unloaded.
"I want a volunteer to help unload the truck!" our