make another rocket shoot high enough to steer the conversation to astronomy again, the subject was not re-opened. Our little success remained a coincidence whose mystery we could not solve.
But we had very good results with the violence and brightness of light and flame, and we knew the secret of our success: in one of the herbalist shops Hoja searched out one by one he’d found a powder even the shop-owner did not know the name of; we decided that this yellowish dust, which produced a superb brightness, was a mixture of sulphur and copper sulphate. Later we mixed the powder with every substance we could think of to give brilliance to the effect, but we were unable to obtain anything more than a coffee-coloured brown and a pale green barely distinguishable from one another. According to Hoja, even this was infinitely better than anything Istanbul had ever seen.
And so was our display on the second night of the celebration, everyone said so, even our rivals who intrigued behind our backs. I was very nervous when we were told that the sultan had come to watch from the far shore of the Golden Horn, terrified something might go wrong and that it would be years before I could return to my country. When they ordered us to begin, I said a prayer. First, to welcome the guests and announce the beginning of the display, we fired off colourless rockets shooting straight up into the sky; immediately after that we set off the hoop display Hoja and I called ‘The Mill’. In an instant the sky turned red, yellow and green, booming with terrifying explosions. It was even more beautiful than we’d hoped; as the rockets soared the hoop gathered speed, whirled and whirled and suddenly, lighting up the surrounding area bright as day, hung suspended, motionless. For a moment I thought I was in Venice again, an eight-year-old watching a fireworks display for the first time and just as unhappy because it was not I who was wearing my new red suit, but my big brother who’d torn his own clothes in a quarrel the previous day. The exploding fireworks were as red as the bright buttoned suit I couldn’t wear that night and swore I never would again, the same red as the matching buttons on the suit which was too tight for my brother.
Then we set off the display we called ‘The Fountain’; flames poured from the mouth of a scaffold the height of five men; those on the far shore should have had a good view of the streaming flames; they must have been as excited as we were when the rockets began to shoot out of the mouth of ‘The Fountain’, and we did not intend to let their excitement die down: the caiques on the surface of the Golden Horn stirred. First the papier mâché towers and fortresses, shooting rockets from their turrets as they sailed by, caught fire and went up in flames – these were supposed to symbolize victories of former years. When they released the ships representing those from the year I’d been taken captive, other ships attacked our vessel with a rain of rocket fire; thus I relived the day I had become a slave. As the ships burned and sank, shouts of ‘God, oh God!’ arose from both shores. Then, one by one, we released our dragons; flames spurted from their huge nostrils, their gaping mouths and pointed ears. We had them fight one another; as planned, none could defeat the other at first. We reddened the sky even more with rockets fired from shore, and after the sky had darkened a bit, our men on the caiques turned the winches and the dragons began to ascend very slowly into the sky; now everyone was screaming in fear and awe; as the dragons attacked one another again with a great uproar, all the rockets on the caiques were fired at once; the wicks we had placed in the bodies of the creatures must have caught fire at just the right moment, for the whole scene, exactly as we desired, was transformed into a burning inferno. I knew we had succeeded when I heard a child screaming and weeping nearby; his father had