met Josephine. Gradually he cared less and less about what might be happening to Jeanie though he didnât forget he had a son living in the world somewhere, maybe even with the Swems in Savannah by now. But why would they have told anyone of the illegitimate child? Perhaps they hadnât. They could have concocted some story about a marriage abroad. Perhaps someone else had known and told Josephine or her parents.
He imagined Josephineâs innocent face as she looked at a note, a single line in an unknown hand. âAmbrose Moore has a son.â Who had he told? When had he told? Who would hurt her like that? Had he babbled his secret to some stranger in a bar? How would that stranger know heâd fallen in love with Josephine Dupey? And what would be the point of telling her he had a bastard child? Sheer maliciousness.
What of Josephineâs father? Milstead Dupey had never really favored him. How could he help being the sort of man that women often liked better than other men did? The banker was a careful person whose guarded look hid his whole-hearted interest in the meanest gossip. Hadnât he even overheard him questioning the cook about another family she worked for? He would have had his lines out the moment he knew one of Josephineâs suitors was serious. Splaying his fingers out again on the round oak table, Ambrose could see Dupey with fishing poles cast all around him, floats bobbing and sinking suddenly in calm water until they were reeled in with odd bits of old underwear, socks riddled with holes, condoms, and various other pieces of lifeâs little dirty business swinging in Charleston Bayâs limpid air. How he would have gloried in the slightest rumor! How he would have gathered it to him and gone home to shake it out like a soiled rag in his wifeâs and daughterâs shocked faces.
He knew what the whisperers would say:
âAmbrose Moore, only a poor musician. How can he make enough to support a wife?â
âHeard heâs got a brother in the pen.â
âTennessee mountain trash.â
âOwes money.â
âHe has a bastard son, a son.â
The whispers grew louder.
âShe was one of his pupils, remember?â
âWho?â
âJeanie Swem, one of his discoveries.â
The unknown voices circled in his head. He put his hand over his ears, reached for the piece of blue paper, shoved it in his trouser pocket, stumbled out to the kitchen still smelling slightly of the cauliflower they had eaten for supper the night before, pushed the back doorâs screen so hard it banged against the wall as he fell down three cement steps into theyard. For a while he lay on the ground noticing the clarity of the sky and the tranquillity of the farm with everyone gone. A branch from an adjacent bush stroked his cheek. Ambrose rolled over, sat up, and clasped his knees with both hands but got no further. Dizzy, bruised, and drunk, he waited.
Edgarâs old black and tan hound came up and tried to lick his face.
Pushing him away with both arms, he lost his balance and collapsed on his side then gradually sat up clutching his arms around both knees again.
The dog sidled back to him.
âGo away.â
The dog sat down in front of him and regarded him with a face mirroring his own pathetic situation so exactly that he felt insulted.
âGo away, Roary!â
The rest of Edgarâs hounds were gone, given to friends many years ago. Kate wouldnât have a pack of dogs around. Ambrose peered up at the noonday sun, then down at Roaryâs white front paws. The dog continued to regard him mournfully, his great brown eyes, drooping ears, and downcast mouth implied heâd seen everything, and none of it was much good.
âNobody asked you,â Ambrose muttered aloud. He let go of his knees and put both hands on the ground. Moving forward, his fingers pressed against the dirt, feeling the dampness through his trousers, he faced the