wanted, before the rest of the island woke up. She’d take us berry picking and help us make pie or something she called a slump that we’d eat that night.
One of her charity projects was a benefit party each year for the Farm Institute on Martha’s Vineyard. We all used to go. It was outdoors, in beautiful white tents. The littles would run around wearing party clothes and no shoes. Johnny, Mirren, Gat, and I snuck glasses of wine and felt giddy and silly. Gran danced with Johnny and then my dad, then with Granddad, holding the edge of her skirt with one hand. I used to have a photograph of Gran from one of those benefit parties. She wore an evening gown and held a piglet.
Summer fifteen on Beechwood, Granny Tipper was gone. Clairmont felt empty.
The house is a three-story gray Victorian. There is a turret up top and a wraparound porch. Inside, it is full of original
New Yorker
cartoons, family photos, embroidered pillows, small statues, ivory paperweights, taxidermied fish on plaques. Everywhere, everywhere, are beautiful objects collected by Tipper and Granddad. On the lawn is an enormous picnic table, big enough to seat sixteen, and a ways off from that, a tire swing hangs from a massive maple.
Gran used to bustle in the kitchen and plan outings. She made quilts in her craft room, and the hum of the sewing machine could be heard throughout the downstairs. She bossed the groundskeepers in her gardening gloves and blue jeans.
Now the house was quiet. No cookbooks left open on the counter, no classical music on the kitchen sound system. But it was still Gran’s favorite soap in all the soap dishes. Those were her plants growing in the garden. Her wooden spoons, her cloth napkins.
One day, when no one else was around, I went into the craft room at the back of the ground floor. I touched Gran’s collection of fabrics, the shiny bright buttons, the colored threads.
My head and shoulders melted first, followed by my hips and knees. Before long I was a puddle, soaking into the pretty cotton prints. I drenched the quilt she never finished, rusted the metal parts of her sewing machine. I was pure liquid loss, then, for an hour or two. My grandmother, my grandmother. Gone forever, though I could smell her Chanel perfume on the fabrics.
Mummy found me.
She made me act normal. Because I was. Because I could. She told me to breathe and sit up.
And I did what she asked. Again.
Mummy was worried about Granddad. He was shaky on his feet with Gran gone, holding on to chairs and tables to keep his balance. He was the head of the family. She didn’t want him destabilized. She wanted him to know his children and grandchildren were still around him, strong and merry as ever. It was important, she said; it was kind; it was best. Don’t cause distress, she said. Don’t remind people of a loss. “Do you understand, Cady? Silence is a protective coating over pain.”
I understood, and I managed to erase Granny Tipper from conversation, the same way I had erased my father. Not happily, but thoroughly. At meals with the aunts, on the boat with Granddad, even alone with Mummy—I behaved as if those two critical people had never existed. The rest of the Sinclairs did the same. When we were all together, people kept their smiles wide. We had done the same when Bess left Uncle Brody, the same when Uncle William left Carrie, the same when Gran’s dog Peppermill died of cancer.
Gat never got it, though. He’d mention my father quite a lot, actually. Dad had found Gat both a decent chess opponent and a willing audience for his boring stories about military history, so they’d spent some time together. “Remember when your father caught that big crab in a bucket?” Gat would say. Or to Mummy: “Last year Sam told me there’s a fly-fishing kit in the boathouse; do you know where it is?”
Dinner conversation stopped sharply when he’d mention Gran. Once Gat said, “I miss the way she’d stand at the foot of the table and