having received no further reports. Â Art never believed that his brother could simply have vanished. And years later, when families were raising issues about Vietnam MIAs, he began his own investigation by perusing declassified Army records. Â He told Nick he believed that Roger was then, and now, a POW. Â Art, picking up on Nickâs curiosity, excused himself, went to his car and returned with a battered briefcase full of âevidenceâ gathered over the years. Â Intrigued by what little he had readâan International Red Cross report listing Roger Girardin as a POW, and a later, official Army letter stating Girardin was MIA, presumed deadâNick invited Art back to his office to make a better assessment of Artâs collection. Â More than curiosity, though, Nickâs instinct told him that this could be one hell of an opportunity for his struggling practice.
Art Girardin, slightly overweight, early-fifties, had worked in the Department of Transportation for the past nineteen years, spending most of that time inspecting roads throughout Connecticut. Â He had a ruddy complexion and thick muscular hands that did not go with the image of a guy who had painstakingly rifled through the arcane records of a complicated war. Â Now seated in Nickâs office, he started from the beginning. Â
âYeah, this old bastard at the National Archives told me I was wastinâ my time. Â But I said to this little prick, get the goddamn records out, anâ let me decide. Â That was the middle of, no, beginning of â77 when I first went to D.C. Â The fucking Army was, well, they were worse than the guy at the Archives.â
Nick perused one document after another while Art briefed him and let off steam.
âFor almost three goddamn years I went back and forth to the Archives, running down leads going nowhere, others pointing to people who vaguely remembered a Girardin, writing admirals, generals, staffers at the Department of Defense, the U.N. Military Armistice Commission and the CIA. Â Then the minute I found a guy, out in California, who definitely could place Roger in Camp 13 in â52, he turns up dead two weeks later. Â It was like either collective amnesia, or the thing was hexed.â
Nick tried to size up this man, who had worked himself into a lather, to make sure he wasnât some whacko on a crusade.
âYeah, useless politicians mostly humored me. Promised more than they delivered,â Art continued sullenly. Â âAnd depending on who was in, they talked to one or more of these asshole bureaucrats in the Defense Department.â
âWhich ones did you contact?â Nick asked.
âOh, Goodsmith, from Georgia, Walkovich, Welsh, Connecticut. Â Yeah, these suckers have short-term attention. Â They read from a patriotic script and eventually move on. Â But, I never let them forget me, what it means to find some poor foot soldier, the gullible kid who drank the Kool aide and enlisted. And who now may be living in hell somewhere.â
âHave you been in touch lately? Â With the politicians?â
Art threw his arms in the air. Â âNo, these jerks all called it quits after a little publicity.â Art looked at his puffy hands. Â âI wished I had a crystal ball, so I could see what goes on in those bureaucracies.â
âThey hide a lot, Art, they hide,â Â Nick commiserated.
Bemoaning, Art continued, âNow, well, the Pentagon dropped us. Â Like a sack of shit. Â They donât even take my calls.â Â He slammed a fist into his palm. âGoddamn it, I want my day in court. Â This is my last chance. Â We gotta get them to listen, Nick. Â Can you do that?â he was pleading now.
âArt, before I say yes, I need to know what youâre trying to do. Â I mean, your brotherâs been gone thirty years. Â A lot of boys didnât come back. Â What is it, Art?â Â Nick