for
years I have been what the rest of the world would call a normal father, feeling
only joy for Chantal’s joy and pain for her pain. My
“perversion” has long since been cauterized. I no longer reverse and
then exaggerate what Chantal feels. I still enjoy licking smeared chocolate from my
daughter’s fingers, and do so with perfect impunity. But I am in no way
responsible for maintaining Chantal’s life, and long ago gave up anticipating
grief for its loss.
Do you know that now I am not even tempted to look into the rear-view
mirror?
But there, the dashboard settings are now subtly different. You
cannot be as aware of them as I am, yet for me the mere climbing or falling of
needles, the sometimes monstrous metamorphosis of tiny, precise numbers behind
faintly illuminated glass, a droplet traveling too quickly or too slowly through its
fragile tube—these for me are the essential signs, the true language, always
precious and treacherous at the same time. And now the settings are different. There
are the mildest indications that we are beginning to deplete the resources of this
superb machine, though in our present context those resources are of course
inexhaustible and in fact will probably account for the grandeur of the sound that
will wake our poor curate. Nonetheless the life of the car is running out, the end
of our journey tonight is notas distant as one might think.
Naturally there are steep grades, sudden turns, even abrasive changes in the
road’s surface, and still time enough to tax us, preoccupy us, demand the
utmost from our living selves. And of course you may argue that our experience so
far has been constant, virginal, that we have heard no variations in the music that
reaches us from beneath the car; that Chantal has not discovered some poor wounded
bird imponderably present and expiring on the seat beside her. Yes, things are the
same, I am not even beginning to feel the strain of driving at this high speed.
But then our situation is not so very different from my war, as I call
it, with Honorine’s old-fashioned clock. It is a crude affair that hangs on
her wall. Nothing but a few pieces of dark wood, a long cord with iron weights at
either end, a circular ratchet, a horizontal pendulum fixed with wooden cubes like a
tiny barbell. It is only the bare minimum of a clock, suggesting both the work of a
child and the skill of some parsimonious medieval craftsman. Small, simple, dark,
naked. And yet this contraption makes the loudest ticking I have ever heard. And
slowly, it ticks more slowly, more firmly than any time device created by any of the
old, bearded lovers of death in the high mountains. Well, I cannot stand that
ticking. It is unbearable. So at every opportunity I stop the clock. But somehow it
always starts up again and beats out its relentless unmusical strokes until once
again I find it so insufferable that I jam its works.
You know the clock, you say? And you have never bothered to listen to
the noise it makes? But of courseyou are familiar with
Honorine’s old clock. Of course you are. What a silly oversight. We are not
strangers. Far from it. And how like you to be so unconcerned with something that
gives me the utmost aural pain. But what I mean to say is this: that I hear that
ticking loudest when the clock is stopped. Exactly. Exactly. It is the war I cannot
win. But it is a lovely riddle.
The point is this: that our present situation is like my wife’s
old clock. The greater the silence, the louder the tick. For us the moment remains
the same while the hour changes. And isn’t it curious that I really know very
little about automobiles? I merely drive them well.
Yes, it was a rabbit. You see it is true, as everyone says, that at
high speeds you can feel absolutely nothing of the rabbit’s death. But next
it will rain, I suppose, as if an invisible camera were recording our