Trash Read Online Free

it.
    Writing it all down was purging. Putting those stories on paper took them out of the nightmare realm and made me almost love myself for being able to finally face them. More subtly, it gave me a way to love the people I wrote about—even the ones I had fought with or hated. In that city where I knew no one, I had no money and nothing to fill the evenings except washing out my clothes, reading cheap paperbacks, and trying to understand how I had come to be in that place. I was not the kind of person who could imagine asking for help or talking about my personal business. Nor was I fool enough to think that could be done without risking what little I had gained. Still, though I knew the danger of revealing too much about my life, I did not imagine anyone reading my rambling, ranting stories. I was writing for myself, trying to shape my life outside my terrors and helplessness, to make it visible and real in a tangible way, in the way other people’s seemed real—the lives I had read about in books. I had been a child who believed in books, but I had never found me or mine in print. My family was always made over into caricatures or flattened into saintlike stock characters. I never found my lovers in their strength and passion. Outside my mother’s stubbornness and my own outraged arrogance, I had never found any reason to believe in myself. But I had the idea I could make it exist on those pages.
    Days, I went to training sessions, memorized codes, section numbers, and memo formats. Nights, I wrote my stories. I would pull out scraps of paper at work to make notes about things I wanted to write about, though most of those scraps just wound up tucked in my yellow pad. What poured out of me could not be planned or controlled; it came up like water under pressure at its own pace, pushing my fear ahead of it. By the end of the month, I’d taken to sitting on the motel roof—no longer stoned, but still writing. By then I was also writing letters to all the women I really didn’t expect to see again, explaining the things that writing my stories had made real to me. I did not intend to mail those letters, and never did. The letters themselves were stories—mostly lies—self-justifying, awkward, and desperate.
    I finished that month, got assigned to a distant city, put away my yellow papers, and moved—making sure no one who knew me from before could find me. I threw myself into the women’s community, fell in love every third day, and started trying to be serious about writing—poems and essays and the beginnings of stories. I even helped edit a feminist magazine. Throughout that time I told stories—mostly true stories about myself and my family and my lovers in a drawl that made them all funnier than they were. Though that was mostly a good time for me, I wrote nothing that struck me as worth the trouble of actually keeping. I did not tuck those new stories away with the yellow pads I had sealed up in a blanket box of my mother’s. I told myself the yellow pages were as raw and unworked as I felt myself to be, and the funny stories I was telling people were better, were the work of someone who was going to be a “real” writer. It was three years before I pulled out those old yellow sheets and read them, and saw how thin and self-serving my funny stories had become.
    The stuff on those yellow pads was bitter. I could not recognize myself in that bitter whiny hateful voice telling over all those horrible violent memories. They were, oddly, the same stories I’d been telling for years, but somehow drastically different. Telling them out loud, I’d made them ironic and playful. The characters became eccentric, fascinating—not the cold-eyed, mean, and nasty bastards they were on the yellow pages, the frightened dangerous women and the more dangerous and just as frightened men. I could not stand it, neither the words on the page nor what they told me about myself. My neck and teeth began to ache, and I was not