‘They just want you out while they fix the tire.’ So theygot out and stood close to Tony near the door of the car. He thought if these men were dangerous it would be safer to stay near the car. The men went to work raising the car on the jack and loosening the flattened tire.
‘Hey you,’ Ray said. ‘Come over here.’ When Tony didn’t move, he came over. He said, ‘You think you’re fuckin hot stuff, don’t you?’
‘What are you talking about?’
‘“What are you talking about?” They think they’re fuckin hot stuff, don’t they?’
‘Who?’
‘Them, your women, your bitches. You too. You think you’re something special, you can bump a guy’s car and run off to the cops in violation of the law.’
‘Listen, you were playing some crazy games out there.’
‘Yeah.’
Every so often while they worked a car or a truck went by, full speed. Tony Hastings wished one would stop, he wanted someone civilized between him and these wild men he didn’t know what they might do. Once a car slowed down, he thought it was going to stop, he stepped forward, but something grabbed him by the arm, drew him back. Ray was in front of him, blocking the view, and the car drove on. A little later, he saw the flashing blue lights of a police car approaching. They’re coming to rescue us, he thought, and he ran out toward it as it neared, coming fast. It did not slow down and he suddenly realized it wasn’t going to stop. He waved anyway and tried to shout as it zipped by. He heard women’s family voices shouting too, but the car was already sparkling down the road at a hundred miles an hour out of sight.
‘There goes your cops,’ Ray said. ‘You should have stopped them.’
‘I tried to,’ Tony said. He felt defeated, wondering what other trouble had caught the attention of the police while his own remained unnoticed in the dark.
The men seemed to enjoy their work. They were laughing, and he realized one of them had worked in a garage. Only Ray was not laughing. Tony Hastings did not like the waiting expression on Ray’s pinched chinless face. The man is angry, he said to himself, while his own anger had ravelled out in the strangeness of things. He thought, they are trying to show me they are not what they seemed to be. They are trying to show me they are decent human beings after all. He hoped that was it.
THREE
Susan Morrow sets down the page. Quiet returns, here where she lives, with the sound of the refrigerator, the Monopoly-playing children murmuring and laughing in the next room. Here, in this wooded enclave of winding residential streets, all is calm, all is still. It’s safer here. She arches, stretches, this impulse to the kitchen for more coffee. Resist. Have a green wrapper mint instead, on the table under Martha’s tail.
Once she too drove all night, Susan and Arnold and the children to Cape Cod. Arnold is smarter than Tony Hastings, could he have avoided Tony’s fix? He’s a distinguished man, he could give those men bypass surgery for fixing his tires, would that protect him? He’s also a grinning boy with dusty hair who makes questionable jokes and waits for your response. Tonight Arnold is in a hotel, she almost forgot from worrying about imaginary Tony, in a tropical bamboo lounge underground in the dark, having drinks with the medical folk. Don’t watch.
Martha the cat studies her, quietly puzzled. Every night Susan sits like this, stalking the flat white page in the glare as if she saw something which Martha sees is plainly not there. Martha understands stalking, but what can she stalk in her own lap, and how can she stalk with face so relaxed? Martha stalks for hours too, with only her tail twitching, but when she stalks there’s always something, a mouse or bird or the illusion of one.
Nocturnal Animals 3
The man with the triangular face whose name was Ray, the mouth too small for his chin, the half bald head with the pompadour, stood with hands in his pockets and watched