or other: girls, probably, or what they were going to do when they finally had the guts to leave this place.
Me and Brenda took a seat in the corner and the old geezer slumped at the table next to us looked up and looked down and looked up again. It was Browne, only it took me a few seconds to realize it. He looked like heâd stepped in from a storm, hair straggled, shirt half-untucked, bleary eyed. Heâd hadnât changed either â not back then.
âJoe,â he said, focusing his eyes. âIs that you? Course itâs you. How many other people could look like that and still be alive?â
Brenda smiled. Browne stood, automatically lifted his empty glass and stepped carefully over to us. He sat and put a cold hand on my arm.
âGood to see you, son. How are you getting along? Howâs the head these days?â He looked at Brenda then. âAnd is this your young lady?â
âYou met her,â I said.
âDid I?â
âAt the fights. A couple weeks ago.â
âFights,â he said. âAh, yes.â
He twisted some of the hair on his head around his finger and looked into the empty glass for his memories.
âBarbara,â he said.
âBrenda,â Brenda said, still smiling and holding her hand out.
âCharming,â Browne said, lifting her hand and putting it down again. âI do remember,â he said, as if we were arguing with him. âYou were upset, as I recall.â
âWell â¦â Brenda said, glancing over at me.
âDonât mind him,â Browne said. âHe doesnât care, do you, Joe? You didnât like the violence, my dear. Was that it?â
âYes,â she said in a small voice. âThe violence.â
Mostly what bothered her, I think, was the idea that Iâd got in that ring and taken the violence.
âAll that fighting, Joe,â sheâd said that night, after weâd walked out of the fight and into the warm, fume-filled night.
âIâm glad we came here,â sheâd said. âThank you.â
âWhat for?â
âFor showing me something of your past.â
âNot much of a past,â Iâd said.
âAs good as any.â
Weâd carried on walking in silence for a while, then sheâd said, âTell me more about your childhood.â
âIâd tell you if I could remember it.â
âI donât think you were ever young. I think you were born old.â
Sheâd given me one of her smiles to let me know she was teasing. I hadnât minded. She was probably right.
Born old. Yeah, that was it â assembled on some factory floor, made up of broken parts of other machines. Broken machines.
After that, we hadnât talked much. Sheâd tottered along on her heels, still holding my arm tight. Weâd passed a tramp trying to sleep in a doorway, wrapped up in layers of clothing, despite the heat, and lying inside an orange nylon sleeping bag.
Traffic had passed us, but it was quieter, slower, as if the heat was getting to the buses and taxis and lorries, making them all sluggish. Everything was grinding to a halt.
I heard Browne say something and looked up and saw that I was in The Fox and Globe.
âDonât blame you,â he was saying to Brenda. âNot nice, the violence. Civilized people canât take it. Not supposed to. Not for the likes of us. For the likes of him, brainless, dead from the neck up.â
Brendaâs eyes flicked from Browne to me, then back.
âWell â¦â she said again.
âYouâre too civilized for that kind of thing,â Browne was saying. âToo tender for the tenderizer.â
I had no idea what that meant.
âYouâre drunk,â I told him.
âBloody glad to hear it. Iâve been working on it long enough. Itâs quite an art, you know. Scotch is my medium, like oils to a painter. You have to drink to a certain level of