Domenica. âYou made it very clear that you didnât like the idea of my going to the Malacca Straits in the first place. You said that in the little speech you gave at my dinner party before I left. You did. I heard you, Angus. Remember I was there!â
âIt would be a very strange dinner party where the hostess was not there,â said Angus quickly. âIf one wrote a note to such a hostess one would have to say: âTo one who stayed away.â Yes! Thatâs what one would have to write.â
Domenica bit her lip. She knew that Angus had his moody moments, but this was quite ridiculous. She was now sorry that she had come to see him at all, and was certainly regretting having brought him the off-print. âYouâre behaving in a very childish way, Angus,â she said. âIn fact, Iâve got a good mind to take my paper away from you. There are plenty of people who would appreciate it, you know.â
âI doubt that very much,â said Angus. âI canât see why anybody would want to read it. I certainly wonât.â
Domenica bristled with anger. âIn that case,â she said. âIâm taking it back. The gift is cancelled.â
She reached across to snatch the off-print from Angus. She felt the cover in her fingers and she tugged; but he resisted, and with a ripping sound âPast Definite; Future Uncertainâ was torn into two roughly equal parts. Domenica let go of her part, and it fluttered slowly to the ground.
âOh,â said Angus, looking down. âIâm very sorry. I know you started it by writing that cruel thing about me, but I didnât mean to do that. Iâm so sorryâ¦â
What upset him was the destruction of another artistâs work. An anthropologist was not really an artist, but this was creative workâeven if a rather dull sort of creative workâand he had destroyed it. Angus felt very guilty. âIâm so sorry,â he said again. âI would never have torn up your work intentionally. You do know that, donât you? Itâs just that I feel very out of sorts today.â He hesitated, as if wondering whether to entrust Domenica with a confidence. Had he forgiven her? Yes, he thought, I have. He lowered his voice. âSomething really awful has happened. Itâs made me very tetchy.â
Domenicaâs expression of irritation was replaced with one of concern. âAwful? One of your paintingsâ¦â
Angus shook his head. âNo, itâs nothing to do with my work. Itâs Cyril.â
Domenica looked past Angus into the flat. There had been no sign of the dog, who usually greeted any visitor with a courteous wagging of the tail and a pressing of the nose against whatever hand was extended to him. This had not happened. âHeâs ill?â she asked. As she spoke, she realised it could be worse: Cyril could be dead. Dogs were run over in cities. There were other dangers too.
âNo,â said Angus. âNot ill. Heâs been removed.â
Domenica looked puzzled.
âAccused of biting,â said Angus morosely. âRemoved by the police.â
Domenica gasped. âBut whom did he bite?â
âHe bit nobody,â said Angus firmly. âCyril is innocent. Completely innocent.â
6. Angus Tells the Story of Cyrilâs Misfortune
âI think you should invite me in,â said Domenica, from the hallway of Angus Lordieâs flat. âLet me make us a pot of coffee. Then you can tell me about it.â
Angus Lordieâs earlierâand most uncharacteristicâchurlishness evaporated. âOf course,â he said. âHow rude of me. Itâs just thatâ¦well, itâs just that this business over Cyril has left me feeling so raw.â
Domenica understood. She had not had a dog since childhood, but she remembered the sense of utter desolation she had experienced after the loss of the scruffy Cairn terrier,