dismayed when he saw what the old man wanted him to see: through the middle of the text strode a crook-shouldered man, a torch in one hand and a black-and-white sword in the other. Around him was a ring of wolves with human shadows.
"Kree-laow!" shouted the old man, as if he could make Morlock understand that way.
"Possibly," said Morlock, handing back the book. "I hope not, though." If he disliked being entangled in someone else's religion, being entangled in their destiny seemed almost unsanitary.
Three children ran up, one of them bleeding. They were talking excitedly and gesturing southward. They may have been posted as lookouts; obviously, they had met a werewolf. More than one: one of the boys kept on flashing all his fingers, which Morlock guessed meant the numbers of the enemies: ten and ten and ten....
The old man said something; other men and women wearing headbands repeated it, and the men, women, and children all rushed to the boats, pushing them out from the rocky beach into the water.
Morlock was in two minds about whether to join them. He hated the water and would almost rather die on land than be saved on the sea. But he thought about the boy's hand signals: ten and ten and ten.... Too many tens.
Morlock waded into the cold shallows of the Bitter Water. Many cold moonlit faces turned eagerly toward him from the boats; they spoke to him. Everyone seemed eager to have the kree-laow (if that's what he was) on their boat.
He climbed on one at random. It did not, thank God Avenger, have the old man with the ceremonial headband; Morlock had taken a dislike to him in the few seconds he had known him. A younger man wearing a headband appeared to be the priest-captain of the boat. He took Morlock by the hand and welcomed him, then took him to one side of the boat where there was a bench and an oar for rowing.
"I understand," said Morlock. He threw his backpack and his two swords under the bench, sat down, and took hold of the oar. Some of the crew were already frantically splashing the blades of their oars in the water. He waited until the sides had established a rhythm, along with a chant led by the head band-wearer (who sat at the stern at the steering oar). When the other oars were swinging in rhythm he extended his own and started to push the water with the blade.
On the bench in front of him was an old woman. He wasn't sure if it was the same one whom he had met among the captives. There were no passengers in the middle of the boat, and many of the benches were empty: the refugees had been expecting more people than actually arrived.
That was unfortunate; they could have used the arms. And Morlock wished he had arrived early enough to give them some advice on boat building. (He was no sailor, but he knew something about shipmaking.) The boats were all flatbed rafts-none of them seemed to have keels. They would fare badly on the rough waves of the Bitter Water.
It was bad at first, but no worse than Morlock expected. The flat bottom of the boat hit each wave on the rough gray waters like a broadhead hammer. Morlock's mouth filled with a greasy fluid. He was near vomiting, but struggled against it. He didn't know how soon he would eat again, and he couldn't afford to lose a scrap of food to the cold dark sea.
The waves kept pushing the flatboats backward even as they struggled forward-and the boats slid sideways as often as they made any progress. When they had been paddling for more than an hour, Morlock looked backward. The shore was still in sight, terribly near for all their efforts. In the chill light of the minor moons, he saw that the smooth beach bristled with the forms of men and wolves.
He turned back to plying his oar. He met the eye of the old woman rowing in front of him: she too had been looking back.
"There's no going back," he said.
She grunted and said something he didn't understand. They bent themselves to their rowing. The night was still strangely warm for winter, but a cold wind