American Edward Bond!â
âThank you ever so much for not calling me the American Tom Stoppard.â Cole smiled at me again. âI get that all the time, you know.â
âBut I rather liked Cahootâs Macbeth ,â I said.
He snorted and nearly dropped his martini. âDinner theater!â
âColeâs from Memphis,â Adam continued. âHe went to East High School, and now heâs world-famous!â
âMarvelous.â I turned on the Leica and looked at him in the viewscreen.
Cole leaned against the doorframe, faux casual, posing as though in one of his own plays. âDo you know, I can hardly walk down the street in Paris without a dozen people stopping me, but in Memphis I canât even get a table at Pauletteâs.â
âIt must be tough being you,â I said.
He shrugged. âProphets are not without honor, except in their own country.â
Adam took his notepad out of his pocket. âI had no idea you were in town.â
âI try not to let the press know my whereabouts,â Cole said. He probably called the newspaper from the airport to let them know he had arrived. He took a sip of his martini and looked me up and down once, his eyes lingering momentarily over the camera in my hand; then he turned his moist gaze on Adam. âBut I like to come home a couple of times a year just to catch up on the gossip. Youâre obviously not here for the party, though Iâm sure youâd be welcome.â His eyes never left Adam as he said this. âAre yâall from the newspaper?â
âNo,â I said.
âBecause I donât sign autographs.â
âIâm Detective Sergeant Adam McPeake.â The fanboy vanished, quick as that, and I wondered if he hadnât been playing it up just to put this supercilious old pouf off his guard. âWeâre here to see Mr. Mori.â
âOh my!â Cole drolly exclaimed, one hand quivering over his lips in mock surprise. âA policeman! I had no idea.â
âThis is Jackie Lyons.â
âMichi-sanâs little photographer?â His teeth were too perfect, a façade of gleaming white caps behind paper-thin lips. âIt seems Iâve heard of you, too.â
âIsnât it marvelous how famous we all are?â I said.
âDonât you try to steal my lines.â
âMay we come in?â Adam asked.
âOf course.â Cole stepped back and allowed the door to swing open. âFar be it from me to stand in the way of the police.â
We entered and Cole closed the door behind us before continuing, âYouâll have to excuse Michi-san. Heâs entertaining.â He took another sip of his martini. A hard driving techno-beat thumped through the ceiling. âIâll see if I can drag him away from his guests. Yâall make yourselves comfortable in the parlor.â He pointed to a small, dark room just off the hall, then sauntered away in none too great a hurry.
Adam wandered down the hall without removing his shoes. I stripped off my wet jacket and hung it on the hall tree, then kicked my shoes into the corner beside a wet pair of black high-top sneakers. The walls of the entry hall were grotesque, the trim and crown molding carved into phantasmagoric scenes of orgies between men and animals, the antique wallpaper dripping with scarlet and gold foil, every surface swirled and feathered and coraled. What the Romans called horror vacui âthe fear of unadorned spaces.
I found Adam standing thunderstruck just inside the parlor door, staring at a hideous clutter of Victorian furnishings and glass curios. Shelf after shelf lined the walls, Lenox and Baccarat figurines sharing space with glass porpoises and seagulls picked up on the Mississippi Riviera. They seemed chosen with absolutely no sense of taste or even apparent consciousness of value.
âNobody actually lives here, do they?â he