Prophet Queen. Her smile was assured and radiant as she presided over the court of love and beauty.
âIt was painted by Scott MacNutt,â a firm but gracious voice called behind me. âHe was rather old by then, but still much in demand by everyone in St. Louis.â
Margot Desouche smiled with benign charm as she limped into the drawing room, supporting herself on a shiny black cane. The butler helped her in until she nodded. âPlease bring us tea,â she instructed. With a slight bow, he reluctantly withdrew.
âYou were very beautiful,â I said.
She sat in an Empire chair, looked at the portrait, and sighed. âThank you for using the past tense. I hate flattery. Had enough of it. Sick of it all, and now Iâm sick in the final way.â
I was aware I was being studied by her clear gray eyes, much as I had done so with the portraits.
She motioned toward a matching chair and said, âPlease have a seat, Mrs. Bridger, or is it Ms.?â
âCall me Lee.â
âYes,â she was relieved, âLee is a pretty name. Please call me Margot.â
The French name was expected. In St. Louis society, although long immersed in America, the French families often give themselves French names. Her children were Pierre, Therese, also known as Terri, and Lucas. Lucas committed suicide fifteen years ago.
âI spoke to Dr. Kemper,â I began. âHe said your cancer is pancreatic.â
âThat means Iâll die.â Margot passed sentence calmly.
I was used to patients euphemizing, but Margot would have none of it. I took out some booklets and brochures from my case.
âThe recovery rate is three percent,â I said. âColon or breast cancer has an eighty-eight to ninety-one percent recovery, but it usually means half make it, half donât. Dr. Kemper is prepared to try some radical therapyââ
âNo, Lee. I prefer to make my peace. That is why you are here. Saul said the nicest things about you. I donât want to die in a hospital. A hospice ⦠is different, isnât it?â
The butler returned with a tea tray and poured for both of us.
I smiled at him, and then turned to Margot.
âItâs more a state of mind than an actual place.â
âA place to die, then.â Margot was determined not to sound helpless.
âI think of it more as a place of meeting. A place of transit. Of arrival and departure.â I let that sink in, then offered one of the booklets.
âAs this explainsââ
Margot quickly took the glossy booklet and set it down. âPlease. I want you to tell me. To hear your voice ⦠Lee.â
âThe hospice began in medieval Europe,â I continued. âIt was used by pilgrims on their way to the Holy Land and a refuge for the dead and dying. The root word is
hospes
, which means both host and guest.â
Margot nodded with intent eyes, waiting for me to continue.
âThe modern hospice was created by Dame Cicely Saunders. It is St. Christopherâs, in Sydenham. West London.â
âHave you seen it?â
âOn my first trip abroad, I went and was able to meet Dame Cicely herself. In America we treat it more as a program of care than an actual place.â
âYou help people die in their homes.â
âWe should speak with your relatives.â
âMy children?â she scoffed. âTheyâre vultures. The estate is all they care about. Theyâve run away from me for years, and now that Iâm dying, theyâll all reappear with lawyers.â For the first time, her gracious expression hardened into a mask. âI warn you, Lee: the bile they have for me will be passed on to you.â
This came out of nowhere. Why would I be a target? Okay, I thought, the family has wounds. There was bad blood between her and her surviving children, Pierre and Terri. Lucaâs suicide had been a media event, and the siblingâs accusations at