ground.
âMom says lots of things.â
âI donât want you to get in trouble, Lilah.â
âIâll be fine, Timmy.â
He sips his own hot chocolate. Foam clings to his lip. âMom also says youâre going to leave.â
He says this every day. âIâm going to leave sometime. Yeah.â
âBut not right now.â
âNo, not right now.â
âIf you go,â he says, âno one will talk to me anymore.â
âDonât be silly.â
âItâs not silly. Mrs. Graham said it to Mom when she came over. When they thought I was in my room. She said,
Heâs such a strange little boy.
â
âMrs. Graham is a fat, smelly pig.â
He giggles. But he is serious again so quickly, so young, so small. âI donât want you to go.â
âIâll die if I stay here, Timmy.â Because this is honestly what she thinks â sheâll die, or sheâll marry that nameless boy she met at the party, and one day sheâll become Roberta, which is to say worse than dead. She is twenty years old, invincible and furious, selfish in the way that only the young can be. She doesnât realize what sheâll be breaking, what sheâll be leaving behind. All she wants to do is disappear.
â
Now, these years later, she walks through the city and sees Timothyâs face everywhere â on the posters, in the grocery line, in every other ragged heap rocking on the street. He drifts through Vancouver like fog that lies close to the ground.
She is like a detective, or an exotic birdwatcher â stalking the streets, looking for the flash of his pale skin, the hooked nose they both share with Roberta. Some days, she wanders the streets alone. But usually she finds him. She brings him food and clothing: a hat, a jacket for the rain. Maltesers,
because they are his favourite. A toothbrush from Roberta, who lies awake at night in Victoria wracked with thoughts of gum disease.
He likes Stanley Park, and the streets that line the sand of English Bay. He haunts the bakeries scattered around the West End, because the bakery women feed him leftover cupcakes and sometimes the grates pump hot, flour-filled air into the cold stretch of early morning.
âHow can you see anything?â she asks him one morning at five. The air is thick with flour. Timothy, hunched up against the side of the bakery, looks like a snow-dusted child. âThis canât possibly be good for you.â
âItâs just flour,â he says. As always, she is frightened by how small his voice is, by how much he is now the one disappearing. âI think itâs nice.â
âNice,â Lilah echoes. She fingers the red fringes of her scarf and stares down at him. âThis isnât what I would call ânice,â
Timmy.â
He doesnât look at her. âThatâs not my name.â
âOf course it is. For Godâs sake, Tim. Grow up.â
He ignores her. He is good at ignoring her now. She makes a deep irritated sound in her throat, an impatient
hmph
, and then stops when she realizes that she sounds exactly like Roberta. âMomâs worried about you,â she says. âWeâre all
worried about you.â
âWorrying will only take you so far,â he says, in one of his hard, unyielding flashes of clarity. âYou canât spend your life thinking about me.â
âBut I can,â she shoots back. âI do
.
â
âEven in Europe,â he says, his voice dull. âEven when you were travelling in Thailand, when all you ever did was yell at Mom and hang up the phone.â
âYes,â she says, simply. âWhy do you think I came back?â
âYou were meant for better things,â Timothy says. He is eighteen years old now, but the sound that comes out of him belongs to a little boy. He clenches his hand into a fist and then lets his fingers unfurl. He is thin and