donât you go to places like that?â
âIâm a modern vicar. Iâll go anywhere.â
Olivia laughed again. âSix oâclock then. Goodbye.â
Nick put the phone down and wondered who the owner of such a delightful laugh could possibly be. He decided to tackle another box after snatching a sandwich and a cup of coffee and, in fact, was halfway through it when there was a ring at the front door. He opened it to find Mavis Cox standing there balancing a large cake on a plate.
âOh Father Nick, so glad to have caught you in. Iâve come to help.â
âThank you, but . . .â
But she had marched past him straight into the kitchen.
âIâve brought you a cake for your tea. Shall we get this room sorted out? I always think the kitchen is the worst job of all.â
And she had her coat off and her arms in a box before Nick could utter a word. He had to admit, though, that she was a terrific worker. Drawers were being opened and kitchen implements placed within them and what tins he had brought were put in a cupboard over the cooker.
He smiled at her. âShall we not talk parish business until tomorrow?â
âNot if you donât wish it, Father Nick.â
âIâd rather you told me something about the village. About the people who live here.â
âWell, I donât like to gossip but theyâre a very mixed bunch as you can imagine. Theyâre the old villagers, the people born and bred here, though theyâre not so many of them left.â
âI suppose commuters have taken their place.â
âAnd youâd suppose right, Vicar. There are masses of those here â the gin and tonic set I call them.â
Her small eyes had a malicious gleam in them momentarily.
âAnd who else do we have?â
âThe arty crowd and the horsey crowd. Like to live in the heart of the country, or at least be seen to do so.â
âSo whoâs in the horsey crowd?â
âOh, several of them. Thereâs a livery stable out towards Speckled Wood. Owned by one Cheryl Hamilton-Harty. She rides up and down the High Street on a huge great stallion.â Mavis muttered something like, âLooking for one I shouldnât wonder.â
Nick thought this extremely naughty from one of his churchwardens but pretended he hadnât heard it and continued to unpack his box.
âAnd tell me about the arty crowd.â
âWell, youâve already met one, my other half â in the churchwarden sense only. I lost my husband some while ago.â
Mavis looked downcast and Nick felt obliged to say, âIâm sorry.â
She sniffed a bit but answered bravely, âBut life goes on. Heâs gone to a better place is how I look at it.â
âYes, indeed.â
âWell I was saying, Richard Culpepper calls himself an actor but gets precious little work. He teaches drama at evening classes and has one or two private pupils to make ends meet. But itâs his wife whoâs the moneyed one, believe me.â
âAnd what does she do?â
âRetired now. But used to be in films, I believe.â
âRoseanna, isnât it?â
âYes. Then thereâs Gerrard Riddell. Heâs a costume designer and is awfully handy with his needle.â
She gave Nick a sly glance and he couldnât help but grin.
âAnd Miss Olivia Beauchamp, of course.â
Nick knew at once by the tone of Mavis Coxâs voice that she was jealous of the lady in question.
âTell me about her,â he said from deep within a box.
âShe lives in London a lot of the time. Sheâs a violinist â professional, I mean. Anway, she has a weekend cottage here which used to belong to her parents. The village doesnât like weekenders but sheâs forgiven because she was brought up here.â
âI see. And what about Ceinwen Carruthers?â
Mavis gave an audible snort.