good fortune to be present and to take advantage. Not even St Joseph, who in his time was a carpenter, and a better carpenter than a saint, could have glued that wooden leg in time to avoid its collapse, before this latest Portuguese champion gymnast made a somersault, and domestic Eve who looks after the house is even now sorting out the bottles of pills and drops the old man must take, one at a time, before, during and after his next meal.
The old man notices the ceiling. He merely notices it but has no time to look. He moves his arms and legs like an upturned turtle with its belly in the air, before looking more like a seminarian in boots masturbating at home during the holidays while his parents are out harvesting. Just this and nothing more. Simple earth, sweet and rough for one to tread and then say that it is nothing but stones, that we are born poor and fortunately we shall die poor, and that is why we are in God’s grace. Fall, old man, fall. See how your feet are higher than your head. Before making your somersault, Olympic medallist, you will reach the zenith that boy on the beach failed to reach for he tried and fell, with only one arm because he had left the other behind in Africa. Fall. But not too quickly: there is still plenty of sunshine in the sky. We spectators can actually go up to a window and look out at our leisure, and from there have a grand view of towns and villages, of rivers and plains, of hills and dales, and tell scheming Satan that this is the world we want, for there is no harm in wanting what is rightfully ours. With startled eyes we go back inside and it is as if you were not there: we have brought too much sunshine into the room and we must wait until it gets used to the place or goes back outside. You are now much closer to the ground. The good leg and damaged leg of the chair have already slid forward, all sense of balance gone. The real fall is clearly imminent, the surrounding atmosphere has become distorted, objects cower in terror, they are under attack, their whole body twisting and twitching, like a cat with rheumatism, therefore incapable of giving that last spin in the air that would bring salvation, its four paws on the ground and the quiet thud of an all too live animal. It is obvious just how badly this chair was placed, unaware of Anobium’s presence and the damage he was doing inside: worse, in fact, or just as bad as that edge, tip or corner of a piece of furniture extending its clenched fist to some point in space, for the time being still free, still unperturbed and innocent, where the curve of the circle formed by the old man’s head is about to be interrupted and stand out, change direction for a second and then fall once more, downwards, to the bottom, inexorably drawn by that sprite at the centre of the universe who has billions of tiny strings in his hand, which he pulls up and down, like a puppeteer here on earth, until one last tug removes us from the stage. That moment has still not come for the old man, but he is already falling in order to fall again for the last time. And now that there is space, what space remains between the corner of the piece of furniture, the clenched fist, the lance in Africa, and the more fragile side of the head, the predestined bone? If we measure it we will be shocked at the tiny amount of space there is to cover, look, not even enough space for a finger, much less a fingernail, a shaving-blade, a hair, a simple thread spun by a silkworm or spider. There is still some time left, but soon there will be no more space. The spider has just expelled its last filament, is putting the finishing touch to its cocoon, the fly already trapped.
This sound is curious. Clear, somehow clear, so as not to leave those of us present in any doubt, yet muffled, dull, discreet, so that domesticated Eve and the Cains of this world do not arrive too soon, so that everything may take place between what is alone and solitary as befits such greatness. His