not.’
‘But we’re to take her breakfast in bed,’ Caroline went on, ‘and generally spoil her, for days and days. Isn’t it lucky I know my way about the kitchen? Speaking of which—’ She looked at me properly now. ‘Don’t run away from us, Doctor. Not unless you have to. Stay and have some tea with us, will you?’
‘Yes, do stay,’ said Roderick.
His tone was as limp as ever; but hers seemed genuine enough. I think she wanted to make up for our disagreement over Betty. And partly because I wanted to make up for it too—but mainly, I must admit, because I realised that in staying to tea I’d be able to see more of the house—I said I would. They moved aside for me to go on ahead of them. I went up the last few steps and emerged in a small, bland hallway, and saw the same baize-curtained arch to which I’d been led by the kindly parlourmaid in 1919. Roderick came slowly up the stairs, his sister with her arm still looped through his, but at the top she moved away from him and casually drew the curtain back.
The passages beyond were dim, and seemed unnaturally bare, but apart from that it was just as I remembered, the house opening up like a fan—the ceiling lifting, the flagged floor becoming marble, the bare gloss service walls giving way to silk and stucco. I immediately looked for the decorative border from which I’d prised that acorn; then my eyes grew used to the gloom and I saw with dismay that a horde of schoolboy vandals might have been at work on the plaster since my first attack on it, for chunks of it had fallen away, and what was left was cracked and discoloured. The rest of the wall was not much better. There were several fine pictures and mirrors, but also darker squares and oblongs where pictures had obviously once hung. One panel of watered silk was ripped, and someone had patched and darned it like a sock.
I turned to Caroline and Roderick, expecting embarrassment or even some sort of apology; but they led me past the damage as if quite unbothered by it. We had taken the right-hand passage, a completely interior stretch, lit only by the light of the rooms opening off it on one side; and since most of the doors we passed were shut, even on that bright day there were quite deep pools of shadow. The black Labrador, padding through them, appeared to be winking in and out of life. The passage made another ninety-degree turn—to the left, this time—and here at last a door stood properly ajar, letting out a blurred wedge of sunlight. It led to the room, Caroline told me, in which the family spent most of their time, and which had been known for years and years as ‘the little parlour’.
Of course ‘little’, as I’d already realised, was a relative term at Hundreds Hall. The room was about thirty feet deep and twenty wide, and it was decorated in a rather hectic manner, with more moulded detail on its ceiling and walls, and an imposing marble fireplace. As in the passage, however, much of the detail was chipped or cracked, or had been lost completely. The floorboards, humped and creaking, were covered with overlapping threadbare rugs. A sagging sofa was half hidden by tartan blankets. Two worn velvet wing-backed chairs stood close to the hearth, and sitting on the floor beside one of them was a florid Victorian chamber-pot, filled with water for the dog.
And yet, somehow, the essential loveliness of the room stood out, like the handsome bones behind a ravaged face. The scents were all of summer flowers: sweet-pea, mignonette, and stock. The light was soft and mildly tinted, and seemed held, really embraced and held, by the pale walls and ceiling.
A French window stood open on another set of flying stone steps, leading down to the terrace and the lawn on this, the south, side of the house. Standing at the top of these steps as we went in, just kicking off some outdoor sandals and working her stockinged feet into shoes, was Mrs Ayres. She had a wide-brimmed hat on her head, with a