early after all?â
âMy adjutant, actually. Not at all pleased about it. I g-gather Zena had wangled it with someone in the War House.â
âThat was me. I happen to know a rather sweet little general. Ought we to send your adjutant a box of cigars?â
âDoesnât smoke. Sweet tooth, though.â
âLiqueur chocs? From Fortnums?â
âSpot on. You seem to have c-cottoned to Zenaâs style pretty fast.â
âI love it,â she said, smiling in a very different manner than before, this time widening rather than narrowing the apparent age gap between them, as if looking down on him for a whole flight up the stairway of experience.
âHereâs Harry,â he said.
A fawn Jowett, also open but much more gently driven, slid in under the archway, bringing with it a sudden sharp odour of unclean exhaust. The driver parked on the far side of the AC, climbed out and came round to shake hands. A family likeness could be seen if looked for, though Harry was lighter of frame and feature than his cousin, clean shaven, and with brownish hair that struggled to curl against its restraining hair oil. He moved, too, at a most unmilitary pace and looked as though he had never puzzled about anything all his days. As Vincent introduced him to Mrs Dubigny the clock tower emitted a slow and painful groan.
âHush,â she said. âItâs starting.â
She moved towards the centre of the courtyard. The young men followed her.
âThatâs only the door opening,â said Harry.
âForty seconds to g-go,â said Vincent. âI say, old man, Iâd better have a squint at your c-carburettor. Iâm surprised you made it up the hill.â
âBit of a pull,â said Harry.
âDo hush,â said Mrs Dubigny. âThis is my first chance all dayâIâve been so busy with everybody coming.â
âWhoâs everybody?â said Harry, but she held up a hand as a new groaning began, staring at the clock.
The clock face was splendid enough in itself, despite the peeling gilt on its openwork hands and on the gilt angels in its four corners who now stiffly raised trumpets to their lips and blew an imaginary fanfare. The train of Spring emerged from the door that had opened in the side of the left-hand turret. A lamb came gliding out, poised on one hind hoof, then a shepherd and another lamb. Next came Spring herself, taller than the shepherd and wearing a long dress of faded blue. A symmetrical group of shepherd and lambs slid out behind her. When Spring was at the centre of the tower the procession stopped and all seven began their dance, lambs and shepherds merely rotating but the goddess, moved by much more complex gearing, seeming to retreat and advance as she turned while the arm that held her circlet of flowers rose and fell in a gawky gesture. The last workman to retouch her paint (shortly after the war, by the look of it) had given her a pleasingly puzzled and defenceless air. A carillon of bells, preliminary to the quarters, tinkled while the figures gyrated. Then, as the quarters themselves began to clank, the dance abruptly ended. The figures slid towards the right-hand turret just as Time emerged from the door behind them, no friendly old gaffer with a scythe, but close kin to the skeleton reaper of the Totentanz . He moved at the same speed as they did, so that it did not look as if he could catch them, but the clockworkâs choreographer had designed one last surprise. The scythe had seemed fixed to Timeâs torso as he emerged, but when he reached the place where the dancers had performed it swung out and forward, lunging at the disappearing lambs. The effect was to make it seem as he went through the door that he was already gaining on the dancers and would mow them down in darkness.
Mrs Dubigny clapped her hands.
âNice to see it going again,â said Harry. âIt wasnât last time I