their horses were skittish and the skin down to their feet itched, then they heaped curse words upon her. Over time, over those six months after Henry bought Alice, the patrollers heard from other white people that a crazy Negro slave in the night was akin to a two-headed chicken, or a crowing hen. Bad luck. Very bad luck, so it was best to try to keep the cussing to themselves.
The rainy evening her master Henry died Alice again stepped out of the cabin she shared with Delphie and Delphie’s daughter, Cassandra. Delphie was nearing forty-four years old and believed that God had greater dangers in store for everybody than a colored woman gone insane, which was what she told her daughter, who was at first afraid of Alice. Alice came out that evening and saw Elias standing at his door with the whittling knife and the pinewood in his hands, waiting for the rain to end. “Come on with me,” she sang to Elias. “You just come on with me now. Come on, boy.” Elias ignored her.
After she came back from watching Moses in the patch of woods, Alice went back down the lane and out to the road. The muddy road gave her a hard way but she kept on. Once on the road, she veered away from Henry’s place and began to chant, even more loudly than when she was on her master’s land.
Lifting the front of her frock for the moon and all to see, she shimmied in the road and chanted with all her might:
I met a dead man layin in Massa lane
Ask that dead man what his name
He raised he bony head and took off his hat
He told me this, he told me that.
Augustus Townsend, Henry’s father, finally bought himself out of slavery when he was twenty-two. He was a carpenter, a woodcarver whose work people said could bring sinners to tears. His master, William Robbins, a white man with 113 slaves to his name, had long permitted Augustus to hire himself out, and Robbins kept part of what he earned. The rest Augustus used to pay for himself. Once free, he continued to hire himself out. He could make a four-poster bed of oak in three weeks, chairs he could do in two days, chiffoniers in seventeen days, give or take the time it took to get the mirrors. He built a shack—and later a proper house—on land he rented and then bought from a poor white man who needed money more than he needed land. The land was at the western end of Manchester County, a fairly large slip of land where the county, as if tired of pushing west, dipped abruptly to the south, toward Amherst County. Moses, “world stupid” as Elias was to call him, would get lost there in about two months, thinking that he was headed north. Augustus Townsend liked it because it was at the farthest end of the county and the nearest white man with slaves was a half a mile away.
Augustus made the last payment for his wife, Mildred, when she was twenty-six and he was twenty-five, some three years after he bought his own freedom. An 1806 act of the Virginia House of Delegates required that former slaves leave the Commonwealth within twelve months of getting their freedom; freed Negroes might give slaves too many “unnatural notions,” a delegate from Northampton County had noted before the act was passed, and, added another delegate from Gloucester, freed Negroes lacked “the natural controls” put on a slave. The delegates decreed that any freed person who had not left Virginia after one year could be brought back into slavery. That happened to thirteen people the year of Augustus’s petition—five men, seven women, and one child, a girl named Lucinda, whose parents died before the family could get out of Virginia. Based primarily on his skills, Augustus had managed to get William Robbins and a number of other white citizens to petition the state assembly to permit him to stay. “Our County—Indeed, our beloved Commonwealth—would be all the poorer without the talents of Augustus Townsend,” the petition read in part. His and two other petitions for former slaves were the only ones out