so that it can be born again.
Sluggish rivers swither among the dead,
their banks overflowing.
Listen: those whisperings in the pipework
are all the refugees from thirst.
The inscription on the fountainâs cup reads:
âDrink, Hussain, and remember thirst.â
Their fathers: their fathersâ gentle thirst,
like sand slowly pouring into blood;
heedless as a stone: a millstone that worries
its own reflection back to sand.
So they went off to war and when they came back,
no water for the ritual cleansing,
not one drop, so they washed themselves in graveyard dust.
*****
This is the birth of Air:
Weary angels revel in it: the sky is laced
with the gutturals of genies; those dark eyes
that glimpse the invisible smouldering in their veins.
Here you touch against breasts that breathed in childhoodâs loss.
Their women: their women are perfumed sadnesses;
their gaze carried away on the wind
bleached of all colour: their black clothes
abandoned â still in suitcases somewhere.
The women banked on hard graft and the smoking tanur ,
but War won that bet, of course. War always does.
And when it was all over they breathed in the soot of a crowâs wing;
the drift of fans through narrow rooms.
*****
This is the birth of Fire:
Soldiers trudge home from the front line.
Slivers of shrapnel glimmer inside them.
Hereâs a dead man with a cigarette in his pocket,
still alight â his last smoke.
Cancers flare and smoulder in the heads of children.
Their children: their children with happiness chalked into their faces â
if they were a pack of cards there wouldnât be any joker.
Their children are little crusts of bread dunked
in muddy kerbside puddles. Life will gobble them up.
In other countries children have footballs to play with, but not here,
no, in this country they used the childrenâs heads as footballs.
*****
This is the birth of Earth: Feel this: feel the earth.
The Doldrums
after Zaher Mousa
I
Iâll carry this wound like a wristwatch â look
itâs bleeding the minutes away;
but leaves no mark, no scar on Time
though day wears day down into day.
II
Dear afternoon,
I only glimpsed you as you sailed past my window
and vanished forever, like that girl on the bus,
that hopelessly beautiful girl.
III
No. My blood is nothing like the honest river
glazing and slackening through the seasons.
Think of a worn-out wall-clock with its dodgy weathers:
faster and faster, then slower again, then  . . .Â
The Golden Mean
I am to you
as you are
to us and
we are to
everything.
The Grain of Truth
Grows poorly in rich soil. Ripening
demands an exceptional season.
Blights more readily than us, even.
Sow it, youâll reap a fine harvest of sorrow.
Each head clings grimly to husk and chaff,
mills the stoutest millstone
to a gritty pebble, kills all yeasts,
sulks in the oven like its own headstone.
So never offer me something
I cannot refuse and expect thanks.
Donât bring me this gift then
ask me why I cannot thrive.
Northeasterly
Driven by sleet and hail,
snell, dour and winterly;
it fills the unwilling sail,
empties the late, green tree.
Something unknowable
lodged in the heart of me
empties itself and fills
Like that sail. Like that tree.
Macapabá
We rocked at anchor where the emptying
river spreads its green hand.
Ochre mud thickened the sea.
On the second morning, slender boats
from the forest; they brought birds
the colour of watered oil,
sallow fruit no one would taste
and a leaf folded around a knot of gold
broader than a clenching fist.
Only a leaf for a sail
and before us, look, the impossible ocean of it all;
squall and storm;
lash and flail;
the unnavigable, the hungry, the whole perfect
unstarred bleakness of the world,
as though a dark
we had always feared had grown real and cold and tidal,
and the lifted
green-black
ragged face of its hand to pull us,
pull us