with rage.
Each morningshe makes his bed;
lays fresh clothesacross a chair.
Sheâll not speakhis name again.
Her stare isa hard, black sloe.
If fine rhymesrang like iron,
hammered bright,hot with meaning
they might weighmore in my heart.
Brave songs donâtbring the dead home;
they damn themto cross that dour
black stream whereyon pale boatman
waits and foulfoundries spit and
silence istheir only song.
When we goto his grave, Iâll
bring sorrel,because I know
the dead arealways drouthy â
their dry mouthsclotted with dust.
Iâll say sorryson, this plant
slakes onlythe one, small thirst;
may its briefwhite blossom
linger uponyour grave, like snow.
The Big Push
after Sir Herbert James Gunn, âThe Eve of the Battle of the Sommeâ
Would you believe it, thereâs a bloke out there singing
âWhen You Come to the End of a Perfect Dayâ .
His audience, a sixty-pounder crew, stand round bleeding
from the ears. The Boche are all but finished, apparently â
I heard theyâre packing old clock parts into trench mortars
now, for want of iron scrap. Some wag quips that next time heâs
sentry and hears the plop of a minenwerfer tumbling over,
heâll not blow the alarm, heâll shout: âTime, gentlemen, please  . . . â
We laugh and for one heartbeat forget to be afraid. Bravery
and cowardice are just two workings of the same fear
moving us in different ways. The 8th East Surreys
have been given footballs to kick and follow at Zero Hour;
itâs to persuade them from the trenches lest their nerve fail
as they advance on Montaubon. Iâve watched men
hitch up their collars and trudge forward as if shrapnel
and lead were no worse than a shower of winter rain.
This afternoon a few of us went swimming in the mill dam
behind Camp. Just for a while to have no weight, to go drifting
clear of thought and world, was utter bliss. A skylark climbed
high over the torn fields on its impossible thread of song:
âlike an unbodied joy .â I donât know why, but it reminded
me of the day we took over from the French along the Somme;
it was so tranquil, so picturesque, the German trenchworks crowded
with swathes of tiny, brilliant flowers none of us could name.
I believe if the dead come back at all theyâll come back green
to grow from the broken earth and drink the gathered water
and all the things they suffered will mean no more to them
than the setting-in of the ordinary dark, or a change of weather.
Rubble
General term for a people who are harvested and reused
or broken. To be heaped randomly or roughly stored.
That which is held for common use. Infill. Of little worth.
Break them in different ways but they will always be the same.
Hold them in the dark; remind yourself why they should stay forgotten.
These days there is little interest in stones that bear names.
May they be piled up and given this title in common.
Let them take their place in the register of unspoken things.
May they never be acknowledged again.
Our Dad
After heâd passed over, she buried all his séance books.
Said she was comfortable with the notion of the Afterlife
but had no use for it on her parlour shelf. It felt worse
than burning somehow â imagine words gasping for air,
their loosened pages mouldering back to soil and dirt.
In the thirties, he was a regular at Circle meetings in some
North London suburb, but didnât believe in an afterlife
or the Spirit Realm, that sunlit somewhere after death.
It was the showmanship he loved: all that cheerless
determination, cotton wool and wire; all that nifty
fiddling with lights. Let death be always nothing more
than sleight of hand. One flurry of white doves
and the earth-strewn dead spring back into our lives,
gaping and astonished. Cue the applause. Amen to that.
The Iraqi Elements
after Zaher Mousa
This is the birth of Water:
Mist is when water dies