crossing. A black woman waited uncertainly by the curb, her hands on a buggy laden with at least two children that Fanning could see. A car horn sounded somewhere, then another. People were so impatient, Fanning reflected. He heard the driver say something that had an exasperated tone to it. Then he too hit the horn. With a stricken smile, the woman pulled the buggy back, and shook her head.
Fanningâs thoughts went to Aisling. After dinner heâd bring her out in the buggy. BrÃd could decompress, have her bath, a cup of tea on her own. Actually, he might even take Aisling over to BrÃdâs Ma and Da in the car. Ah, no. What was he thinking? It was not casual anymore. Danny, the Da, was okay, but the Ma was a different kettle of fish. Maybe it was just her age, but she was definitely going over to the dark side this last while.
Time was she was almost fawning over him. Heâd heard she talked about him as her son-in-law, very well respected as a writer, you know. Fanning could see her trying not to be annoyed at him this past while, however. It was the little things gave her away. A look, a pause, the way she spoke slowly; the subjects she avoided, and the ones she went to too often. Her favourite in that area was loaded, of course: âGod the changes weâve seen in our own lifetime! My oh my, all the jobs and the opportunities out there nowadays.â
Fanning was first off the bus. He legged it up the quays smartly, not at all displeased with the dank, colder air coming at him over the parapet of the River Liffey. His Dublin had always been shabby and smelly, and real. That Dublin was still there if you knew where to look. Fanning had never had time for any nostalgia about Good Old Dublin. The new restaurants and apartments being steadily inserted into parts of the city centre areas that had been no-go areas were welcome. Sometimes, though, their sudden arrivals gave Fanning a feeling of bafflement, and even dismay. Still, he was careful not to fall in range of the running joke in Dublin for at least a decade now: âWhen did that place go up?â
Fanning was entering Smithfield sooner than he had expected, and within minutes of leaving the quays he was turning the corner in sight of the restaurant. There was Breen in the window, and as per caricature, he was on his mobile. Fanning stepped back, and he took up a spot next to a delivery van. No way would he be caught sitting meekly and waiting for Breenâs phone conversation to end. Heâd watch the performance instead.
He could have predicted Breenâs smiles and shrugs, and the fake, rolling laugh that he retailed. Scene Two would roll out just as predictably. That was when Breen would wear that that put-upon look, the smile of regret that he excelled in. It would be followed up with an apology for being âso busy.â
The hardest bit to take would be Breenâs attempt to be the common man, a hapless beleaguered gobshite, sighing that he was ârunning around like a fart in a bottle,â or he âdidnât know whether he was coming or going.â Then, Breenâs twinkling eyes would almost disappear when he put out his fake smile. Fanning wondered if anyone had ever told Breen how fat he was getting these past few years, how ⦠fulsome was the word, Fanning thought then, the exact word. He was pleased the word came to him so easily.
Fanning didnât mind Breenâs act itself as a piece, say, of theatre. After all, Breen the impressario was a character study in his own right. He would find his way into a Dermot Fanning script soon enough. But the sting in it all was that Breen assumed that Dermot Fanning was stupid enough to be taken in by it all.
Fanning felt the injustice glow stronger in his chest, and so he distracted himself by beginning a careful, neutral study of the buildings around him. More than their lines or even shapes, he observed their textures and shadows and tones, all the