told her.
He turned to look at her through the small glass window in the practice room door. Her heart sank as he waved to her.
Â
As usual, Wendy awoke from the dream feeling that somethingâor somebody âwas nearby, waiting for her. She buried herself under the covers, then threw them off with an abrupt violence, as if hurling the blankets at the shadowy nightmares that lurked in the corners of her immaculate bedroom. She swung her legs over the side of her bed and rubbed her eyes, trying to scrub away a burgeoning headache. With her chin resting on her fists, Wendy stared at her open suitcase on the floor. The suitcase was packed with neatly folded clothes and stacks of piano music. Wendy seemed transfixed by the luggage, as if it were a window through which she could view some interesting scene from her future. Iâm flying to England tonight , she told herself. By tomorrow morning, Iâll be far from home, riding in a bus from London to Oxford.
She knew she should feel happy and excited, but instead, she found herself wondering why her nightmares seemed to occur more frequently as the date of the piano competition approached. Anxiety dreams before a big performance were nothing new to Wendy: there was the familiar dream that she had accidentally walked onstage naked; the dream that her hands suddenly became paralyzed; the dream that the piano keys made no sound when she pressed them down; and the dream of sitting on the piano bench and discovering that another competitor had left gum on the seat. But the dreams she had been having lately were differentâmore disturbing and more real than any nightmare she had experienced before. What if theyâre actually bad omens? Wendy wondered. What if theyâre signs that something terrible might happen to me?
âSo lazy!â said Mrs. Choy, interrupting Wendyâs trance. âNine oâclock and still in bed!â Standing in Wendyâs doorway, she held a long, red silk dress on a hanger.
âMom, our flight is a red-eye, and I probably wonât get any sleep tonight.â
Mrs. Choy held out the dress. âYou wear this dress in the show. Lots of luck!â Mrs. Choy considered herself a thoroughly modern woman, but she still maintained several ancient Chinese beliefs and superstitions. One of these was her certainty that the color red would help bring luck and keep away evil spirits. As a result, red decorations and pieces of art were tastefully placed throughout the Choysâ neat, uncluttered houseâwall hangings, fans, figurines of dragons and frogs. A strong believer in feng shui principles to increase the flow of âpositive energyâ in her home, Mrs. Choy also placed green âmoney plantsâ in strategic locations and avoided all angular shapes and sharp objects.
Wendy eyed the dress skeptically. It reminded her of a Chinese wedding gown. âI donât know, Mom. . . . It seems a little too Chinese for England.â
âNothing wrong with Chinese. Red for good luck.â
âThanks for the vote of confidence.â
âTo win, you need luck. You win, you get five thousand pound. You lessons not cheap!â
Wendy was well aware that the winner of the competition would receive a cash prize and the opportunity to perform with a major orchestra. She also knew that both her parents worked overtime in jobs they didnât particularly like to make this sort of opportunity possible for her, and she accepted as a fact the idea that she owed them some significant success as payment for their sacrifices. If only she could win something big, like the competition at Oxford Universityâsomething her parents could tell their friends aboutâshe would prove herself worthy.
âMom,â said Wendy, âI might not win. This is an international competition. That means there could be lots of kids there who are better than me.â
âAlways someone better. You work