crime!â
Rebecca rose with the volume of his voice. âThere is no need to shout at me.â
âIâd like you to leave, now.â
âNot before I give you this.â Rebecca took the notice sheâd been holding outside in the hallway and shoved it into Patrickâs hand.
âYou want to tell me what it is?â
âItâs an order to appear before a District Family Court in three weeksâ time to determine if you are fit to care for your son.â
âThatâs just before Christmas, and how dare you make such an accusation?â
âI do not make the accusation. The city does.â
Patrickâs eyes filled with thought as a wave of realization flooded his face. âAnd I think I know who put the city up to it.â
âOver the course of the next several weeks, I will be returning to check up on the status of your finances and . . . your heat and electricity. If I find you sitting here alone in the cold dark, Iâll know what to say to the board when I give my report. And when they do meet, youâll need to provide proof of employmentââ
âI have a job.â
ââand a bank statement showing an account with sufficient funds to care for a child. Thatâs a lot of deep-dish pizzas sold to people who arenât sitting at your tables.â
âWhat donât you know?â
âHow youâre going to get that kind of money. But youâd better get it. Beg, borrow, or steal.â Rebecca headed to the door, but then stopped and turned back. âIâm sorry for being brusque. I know most of all that your sonâs being prepared to have a very serious heart operation, but I canât allow a fragile boy to be brought into an unstable and unsafe environment.â
âNo oneâs going to take away my son.â
Rebecca opened the door to leave, but not before Patrick added one more thing. âAnd you can tell Ted Cake I said so.â
A wide-framed man stood at a large plate-glass window overlooking the East River toward the Manhattan skyline. His figure was outlined by the setting sun, and his hand reaching into his pocket for his ringing cell phone cut across the red rays piercing the high-end apartment.
âSo you see heâs not fit to care for that child.â
Somewhere in the middle of that city horizon across the river, Rebecca walked down a Midtown street and held her cell phone to her ear against the cold. âThat has yet to be determined.â
âWhat information did you gather at your visit?â
âThat is confidential, sir. Iâll give my report when the court assembles. Until then, whatever information I gather is private.â
Silence on the other end.
âSir? Mr. Cake?â Rebecca waited.
âThe man is not fit.â
The line went dead. Rebecca put away her cell and crossed the street through the Christmas traffic.
Back on the other side of the East River, Ted Cake stood against the setting sun as if personally overseeing its descent. Then he looked at a piano whose top was littered with framed photographs of a woman in different stages of the same wistful pose, pulling a wide-brimmed hat down over her forehead, shying away from the camera with her hand, grinning uncomfortably at having her picture taken in the first place.
Chapter 5
DICKENS KNEW IT
P atrick sat at Booth One and pored over the want ads wearing the face of a man in search of a drink in the desert. He was in the same seat where heâd met Linda, but this time sitting across from him was some kid with his whole life ahead of him and enough optimism to be circling every audition ad he could find in an actorsâ directory.
âIs there any part you donât plan on playing?â Patrick asked with a bemused smile.
âYou either dream big or live small, you know what I mean?â
Patrick nodded and smiled. âGood for you. Live that stage to its fullest,