you?â
âMy name is Rebecca Brody,â she said as she pulled out what looked like an official notice of some kind.
âMs. Brody, if youâre from Con Ed, Iâm on the verge of paying that bill in two daysâ time.â
Rebeccaâs face showed the first sign of any kind of true emotion, and it was ripe curiosity. âIâm not from Con Ed. Why would I be from Con Ed?â
âI donât know. Iâm guessing youâre not from the phone company or building management, either.â
âNo, Mr. Guthrie,â Rebecca said. âYou are Patrick Guthrie, the father of Braden?â
Patrick could only nod as Rebecca fixed her eyes on his face, which was paling with an inner dread rising up through his frame. She put the notice in his hands. âI am from Childrenâs Protective Services.â
Chapter 4
A SACRED REALITY
âA re these all you?â Rebecca asked as she studied the wall of Patrickâs apartment covered with photographs of himself in different roles, not only in Shakespearean plays, but musical theater and Off-Broadway shoestring productions; there was even a photograph of a TV screen where he played the role of a Mafia courier in a reenactment scenario for a network gossip show.
âTheyâre all me. The roles of a lifetime,â Patrick said, and waited for her to get to the reason for her being there.
âI would think your role of a lifetime would be that of a father.â
It was the warning shot heâd be waiting for, the one that told him he was in for some kind of fight, but who or what could have sent her to his door? âI donât consider that a role. My being a father is a sacred reality.â
Rebecca pointed to the lone photograph not on the wall, but sitting on a side table next to the couch, framed in a frieze of gold. âIs this your wife?â
Patrick looked at his beautiful Linda. There she was, smiling at the camera from under a wide-brimmed hat she was pulling down over her forehead in the clownish way she used to get past her discomfort with being photographed. âThatâs my wife.â
âWhoâs been deceased now for three years?â
âClearly youâre not asking these questions, Ms. Brody, but letting me know you already know all there is to know about me.â
Rebecca sat down, opened her briefcase, and then remembered herself. âDo you mind if I sit?â
âNot at all. Now will you tell me what this is all about?â
âIâll get straight to the point.â
Patrick sat too, several coins spilling out of his apron and rolling across the floor. Rebecca watched them hit the wall and then spin down to rest in the corner. âAs I was about to say, this is about money.â
âWhat about it?â
âYou havenât got any.â
âIâm sorry. Who are you and what do you want?â
âI told you, Iâm Rebecca Brody.â
âWho sent you? Why are you here?â
Rebecca laid out several papers before Patrickâs eyes, which couldnât focus on the sheets but only the young womanâs still inscrutable face.
âSeveral days ago, you were fired from your teaching position.â
âI was laid off.â
âLetâs agree to say you were let go. Letâs also agree that youâre two months behind on your rent and youâve been served a shutoff notice for heat and electricity, though yesterday you did make a payment in person at the phone company, paying in singles and coins.â
âAre you following me?â
âI am not following anyone, Mr. Guthrie.â
Patrick angrily bolted up from his seat. âWell, someone is following me. So who is it?â More coins spilled out of his apron and scattered across the floor.
âYour partial payment for your heat bill is lying at your feet.â
âListen, I wait tables. I get paid in small bills and coins. Thatâs no