monkey-rhyme,
climb out through the ceiling
breaking TV antennas and
the dull howl of canned laughter,
canned humor, canned death;
idle, idle in this forest,
calla lilies, grass, stone,
all nighttime level peace
of no bombers or faces,
and I dream the stone dream,
the grass dream,
the river running through my
fingerbones
one hundred and fifty years away,
leaving shots of grit and gold
and radium,
lifted and turned
by dizzied fish
and dropped,
raising flecks of sand
in my sleep…
The owl spits his coffee,
my monkeys chit the gibberish plan,
and my walls,
my walls help endure the seizing.
II
I dreamed I drank an Arrow shirt
and stole a broken
pail
all-yellow flowers
through the venetian blinds I saw a fat man in a brown coat
(with a head I can only describe as like a marshmallow)
drag the casket from the hearse: it was battleship gray
with all-yellow flowers.
they put it on a roller that was hidden in purple drape
and the marshmallow-man and one pin-crisp bloodless woman
walked for him up the incline…and!—
gore-bell-horror-sheer-sheen-world-ending-moment!—
almost losing IT there, once—
I could see the body rolling out
like one loose dice in a losing game—the arms waving
windmills and legs kicking autumn footballs.
they made it into the church
and I remained outside
opening my brain to living sunlight.
in the room with me she was singing and rolling her
long golden hair. (this is true Arturo, and that is what
makes it so simple.)
“I just saw them take in a body,”
I fashioned to her.
it’s autumn, it’s trees, it’s telephone wires,
and she sings some song I can’t understand, some High Mass
of Life.
she went on singing but I wanted to die
I wanted yellow flowers like her golden hair
I wanted yellow-singing and the sun.
this is true, and that is what makes it so strange:
I wanted to be opened and untangled, and
tossed away.
what seems to be the trouble, gentlemen?
the service was bad
and the bellboy kept bringing in towels
at the wrong moment.
drunk, I finally clubbed him along
the side of the head.
he was a little man and he fell
like an October leaf,
quite done,
and when the fuzz came up
I had the sofa in front of the door
and the chain on,
the 2nd movement of Brahms’ First Symphony
and had my hand halfway up the ass
of a broad old enough to be my grandmother
and they broke the god damned door,
pushed the sofa aside;
I slapped the screaming chippy
and turned and asked,
what seems to be the trouble, gentlemen?
and some young kid who had never shaved
brought his stick down against my head
and in the morning I was in the prison ward
chained to my bed
and it was hot,
the sweat coming down through the white
senseless sheet,
and they asked all sorts of silly questions
and I knew I’d be late for work,
which worried me immensely.
spring swan
swans die in the Spring too
and there it floated
dead on a Sunday
sideways
circling in current
and I walked to the rotunda
and overhead
gods in chariots
dogs, women
circled,
and death
ran down my throat
like a mouse,
and I heard the people coming
with their picnic bags
and laughter,
and I felt guilty
for the swan
as if death
were a thing of shame
and like a fool
I walked away
and left them
my beautiful swan.
remains
things are good as I am not dead yet
and the rats move in the beercans,
the papersacks shuffle like small dogs,
and her photographs are stuck onto a painting
by a dead German and she too is dead
and it took 14 years to know her
and if they give me another 14
I will know her yet…
her photos stuck over the glass
neither move nor speak,
but I even have her voice on tape,
and she speaks some evenings,
her again
so real she laughs
says the thousand things,
the one thing I always ignored;
this will never leave me:
that I had love
and love died;
a photo