the morning or were occasionally invited to lunch or dinner in the American or English villas. She was evidently accustomed to dealing with amorous young men, for though she was charming, gracious, and friendly with them she kept them at their distance. She quickly discovered that they were all looking for an American heiress who would restore the family fortunes, and with a demure amusement which I found admirable made them delicately understand that she was far from rich. They sighed a little and turned their attentions at Doney’s, which was their happy hunting-ground, to more likely objects. They continued to dance with her, and to keep their hand in flirted with her, but their aspirations ceased to be matrimonial.
But there was one young man who persisted. I knew him slightly because he was one of the regular poker-players at the club. I played occasionally. It was impossible to win and the disgruntled foreigners used sometimes to say that the Italians ganged up on us, but it may be only that they knew the particular game they played better than we did. Laura’s admirer, Tito di San Pietro, was a bold and even reckless player and would often lose sums he could ill afford. (That was not his real name, but I call him that since his own is famous in Florentine history.) He was a good-looking youth, neither short nor tall, with fine black eyes, thick black hair brushed back from his forehead and shining with oil, an olive skin, and features of classical regularity. He was poor and he had some vague occupation, which did not seem to interfere with his amusements, but he was always beautifully dressed. No one quite knew where he lived, in a furnished room perhaps or in the attic of some relation; and all that remained of his ancestors’ great possessions was a Cinquecento villa about thirty miles from the city. I never saw it, but I was told that it was of amazing beauty, with a great neglected garden of cypresses and live oaks, overgrown borders of box, terraces, artificial grottoes, and crumbling statues. His widowed father, the count, lived there alone and subsisted on the wine he made from the vines of the small property he still owned and the oil from his olive trees. He seldom came to Florence, so I never met him, but Charley Harding knew him fairly well.
“He’s a perfect specimen of the Tuscan nobleman of the old school,” he said. “He was in the diplomatic service in his youth and he knows the world. He has beautiful manners and such an air, you almost feel he’s doing you a favour when he says how d’you do to you. He’s a brilliant talker. Of course he hasn’t a penny, he squandered the little he inherited on gambling and women, but he bears his poverty with great dignity. He acts as though money were something beneath his notice.”
“What sort of age is he?” I asked.
“Fifty, I should say, but he’s still the handsomest man I’ve ever seen in my life.”
“Oh?”
“You describe him, Bessie. When he first came here he made a pass at Bessie. I’ve never been quite sure how far it went.”
“Don’t be a fool, Charley,” Mrs Harding laughed.
She gave him the sort of look a woman gives her husband when she has been married to him many years and is quite satisfied with him.
“He’s very attractive to women and he knows it,” she said. “When he talks to you he gives you the impression that you’re the only woman in the world and of course it’s flattering. But it’s only a game and a woman would have to be a perfect fool to take him seriously. He is very handsome. Tall and spare and he holds himself well. He has great dark liquid eyes, like the boy’s; his hair is snow-white, but very thick still, and the contrast with his bronzed, young face is really breath-taking. He has a ravaged, rather battered look, but at the same time a look of such distinction, it’s really quite incredibly romantic’
“He also has his great dark liquid eyes on the main chance,” said Charley