leaves.
The ball hovers above the beach, eclipsing the sun a few inches.
He eases back
he becomes sand.
ms marbig No. 26 16
Julie Chevalier
another team needs restructuring
her boss seeks rejuvenation
he likes a shiny new worker
Â
in glossy black accessorised with chrome
sheâs the facilitator who holds the coalface together.
strong jaw   teeth without stains
she click-clacks his documents
Â
past your use-by date , he
exposes her in public
whips her back into an angry V.
her rusty assistants jam
printers, shredders, fax machines
We begin building that which cannot collapse because it will have to have been built as if it had already fallen
Justin Clemens
Gary was being extremely annoying with the glue-gun, as a parody
buffoon gets stuck to the routine and then can only separate
by ripping off his own souls while his kaleidoscopic pantaloons
spiral outta control like a flotilla of combi-vans
driven by acid-hippies through the violet hill-deserts of ma mindâ¦
do you too smell the blood of a nationalised energy foundation?
You have to keep the abecedaria flying, or, if not flying, at least floppily erect!
(uh-oh, here comes that dynamic psychotherapy again, Gwyneth,
youâre for it now! Itâll make you springen, springen wiff âappenis fer sure,
as the flashers go off with epilepsy-inducing arrhythmia.)
Please donât bother me with your body any longer, Iâve enough
of orgasms and orgies to last me ten thousand lifetimes,
and itâs a better bet to go pale over a flaccid biopic of a pallid poet,
because my wound-dark nerve-endings are just sooooo sensitive they quiver
at the merest trilling of those much speculated-upon boronic microparticles â
Fargh! your vulgar disinhibiting fanfare can be only dreadful noise to me!
Â
Picasso
Sue Clennell
Wrapped in bulls and balls,
squiggle me macho.
Seek out my women,
how I make their
bums, breasts and bellies
fold up into furniture,
gore them into dripping tears.
I am potted, baked dry,
moulded by Españaâs rough hands.
If you are woman donât catch the
attention of my one red eye.
Four Lines by Ezra Pound
Jennifer Compton
The New Zealand poet settled to his coffee at the Astoria in Lambton Quay
kindly hunched against the bitter wind at an outside table because although
he hated us when smokers ruled the world he pities us these days of leprosy.
Â
He spoke of our late mutual friend from Lecce who, whilst living in Venice,
paid his respects to Ezra Pound on occasion â as one would â the poet sunk
below the waterline into the clarity of incommunicado and monkish accidie.
Â
One day the poet raised his head and spoke â four lines â from out the deep
of his mistake â four good strong tough lines that anyone could remember
and the man from Lecce did and they became the punchline for a story.
Â
But but â I said. I have read those lines, unattributed, in a book of verse.
Four good, strong, tough lines that were worth remembering, and so I did.
Such Antipodean chutzpah to plagiarise Pound, his brilliant rottenness.
Metamorphosis
Michael Crane
The mother is now the child
and the daughter scolds her
for driving late at night
and the mother cowers
on the sofa half afraid of her.
Â
Her disgruntled child seems
taller and stronger than she remembers
and the daughter goes into the kitchen
to cook some beetroot broth
and they sit in the lounge room
Â
quietly together, not a word spoken
and then the mother nods off
to sleep watching television
and the daughter carries her
to the bed and watches her mother
Â
dream and she stands over
guarding the bed like some Roman sentry
and then finally she goes to bed to plan
the next day and this is love
in a strange disguise, but love nonetheless.
Adenocarcinoma Triolet
Fred Curtis
Theyâve found something