motionless spider in the center.
His wife, Beth, a whale of a woman giving off too much heat through her blubber, breathes audibly beside him, her tireless little rasp of a snore extending into unconsciousness her daily monologue, her output of prattle. When, in a repressed fury, he nudges her with a knee or elbow or gently cups in his hand a buttock bared by her risen nightgown, she docilely falls silent, and then he fears that he has woken her, breaking the unspoken vow taken between any two people who have agreed, however long ago, to sleep together. He wants only to jog her up to the level of sleep where her breath will stop vibrating in her nose. It was like tuning the violin he used to play, in his boyhood. Another Heifetz, another Isaac Stern: is that what his parents had hoped for? He disappointed them—a segment of misery where his own and the world's coincided. His parents grieved. He had defiantly told them he was quitting lessons. The life in books and on the streets meant more to him. He was eleven, maybe twelve to take such a stand, and never picked up the violin again, though sometimes, hearing on the car radio a snatch of Beethoven or a Mozart concerto or Dvorak's Gypsy music that he had once practiced in a student arrangement, Jack is surprised to feel the fingering trying to live again in his left hand, twitching on the steering wheel like a dying fish.
Why beat himself up? He has done all right, more than all right: prize student at Central High, class of '59, before it felt so much like a prison and you could still study and take pride in the praise of the teachers; diligent commuter to CCNY before sharing a SoHo apartment with two guys and a girl who kept shifting her affections around; after graduation, two years of draft-era Army, before Vietnam heated up, basic training at Fort Dix, file clerk at Fort Meade, Maryland, south enough of the Mason-Dixon Line to be full of anti-Semitic Southerners, then the second year at Fort Bliss m El Paso, in so-called human resources, matching men to assignments, the start of his giving guidance to teen-agers; afterwards to Rutgers for a master's on the cut-back GI Bill; since then, teaching high-school history and social science thi rty years before becoming full-time guidance counselor these last six. The bare facts of his career make him feel
trapped, in a curriculum vitae as tight as a coffin. The room's black air has become hard to breathe, and he stealthily turns from lying on his side to lying on his back, like a stiff laid out at a Catholic viewing.
How noisy bed sheets can be!—crashing waves, next to your ear. He doesn't want to wake Beth. Close to suffocated, he can't cope with her too. For a moment, like the first sip of a drink before the ice cubes turn the whisky watery, the new position eases the problem. On his back, he has the calm of a dead man but with no casket lid inches from his nose. The world is quiet—the commuter traffic not yet started up, the night prowlers with their broken mufflers having at last crawled into bed. He hears a lone truck shifting gears at the blinking stoplight one street over and, two rooms away, a restless fit of soft-pawed galloping from Carmela, the Levy’s desexed, declawed cat. Declawed, she can't be let outdoors, for fear the cats with claws will kill her. In her indoors captivity, sleeping away much of the day under the sofa, she hallucinates at night, imagining in the stilled house the feral adventures, the battles and escapes, that she can never have, for her own good. So desolate is the sensory surround of these pre-dawn hours, and so alone does Jack Levy appear to himself, that the furtive uproar of a deluded, neutered cat soothes him almost enough for his mind, excused from sentry duty, to slip back into sleep.
But, sustained in wakefulness by a nagging bladder, he instead lies exposed, as to a sickening blast of radioactivity, to an awareness of his life as a needless blot—a botch, a prolonged