Telly Savalas detective show on Saturday nights. He didnât understand why they wanted to hear the story of his life. His story was thesame as anyone elseâs, he said. âThere arenât that many differences, when you get down to it,â Durán used to say. âThe only thing that changes is who your enemy is.â
After a time in the casinos, Durán broadened his horizon, particularly with women. He developed a sixth sense that allowed him to determine a womanâs wealth, to differentiate rich women from female adventurers who were looking for a catch of their own. Small details would grab his attention, a certain caution when betting, a deliberately distracted look, a carelessness in their dress and a use of language that he immediately associated with abundance. The more money, the more laconic the woman, that was his conclusion. He had the class and skill to seduce them. Heâd tease and string them along, but at the same time he treated them with a colonial chivalry he had learned from his Spanish grandparents. Until one night in early December 1971, in Atlantic City, when he met the Argentine twins.
The Belladona sisters were the daughters and granddaughters of the town founders, immigrants who had made their fortune from the lands they owned in the area of Carhué, at the end of the Indian Wars. Their grandfather, Colonel Bruno Belladona, came with the railroad and bought lands now administered by a North American firm. Their father, the engineer Cayetano Belladona, lived in the large family house, retired, suffering from a strange illness that kept him from going out but not from controlling the town and county politics. He was a wretched man who cared only for his two daughters (Ada and SofÃa). He had a serious conflict with his two sons (Lucio and Luca), and had erased them fromhis life as if theyâd never existed. The difference of the sexes is the key to every tragedy, Old Man Belladona thought when he was drunk. Men and women are different species, like cats and vultures. Whose idea was it to make them cohabitate? The males want to kill you and kill each other, while the women want to go to bed with you, climb into the nearest cot with you at siesta time, or go to bed together, Old Man Belladona would ramble on, somewhat deliriously.
Heâd been married twice. He had the twin girls with his second wife, Matilde Ibarguren, a posh lady from Venado Tuerto who was a certifiable nut. The two boys heâd had with an Irishwoman with red hair and green eyes who couldnât stand life in the countryside and had run away, first to Rosario, and then back to Dublin. The strange thing was that the boys had inherited their stepmotherâs unhinged character, while the girls were just like the Irishwoman: red-haired and joyful, lighting up the air wherever they went. Crossed destinies, Croce called it, the children inherit their parentsâ crossed tragedies. SaldÃas the Scribe carefully jotted down all the observations that the Inspector made, trying to learn the ins and outs of his new position. Recently transferred to the town by order of the Public Prosecutorâs Office, which was trying to control the overly rebellious Inspector, SaldÃas admired Croce as if he were the greatest investigator 2 in Argentine history. Assistant Inspector SaldÃas took everything that Croce said entirely seriously; and the Inspector would, in jest, sometimes call him Watson.
In any case, their storiesâAda and SofÃaâs on the one hand, Lucio and Lucaâs on the otherâremained separate for years, as ifthey belonged to different tribes. They only came together when Tony Durán was found dead. There had been a monetary transaction; apparently Old Man Belladona had been involved with some transfer of funds. The old man went to Quequén every month to oversee the shipments of grain that he exported, for which he received a compensation in dollars paid to him by