into the man.
It was then that I realized it was getting out of hand. I thought, Iâd better slow down with this stuff or Iâll get put away before I even get the role in the movie. I guess it was then that the âLittle Kingâ took over. The superego figure took charge and set up an alternative condition that was very new for me. Iâd have to call it a Will. And the Little King superego figure proclaimed that if I willed my Will to stop this Magical Thinking then this act of will, willing Will, would have more power toward getting me the role in the film.
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Around the time I was developing my Will I was invited out to Los Angeles to perform my monologues. I got good reviews so Warner Brothers Television called me up and said, âCould you come in and read? Anything, just come in and read.â
âCome up and see my monologue, why donât you? Itâs just up the street.â
âWell, we havenât got time for that, we go to bed early out here. But could you come in?â
And what they chose for me to read was a sitcomâa pilot that had been âaxedâ or âcutâ or whatever the technical term is for a show thatâs been put on the shelf because itâs no good. So that was the text.
I was to be reading the role of Howard and my wife was Harriet. I started out, âBut I donât want to spend
my Sundays eating mixed nuts in the company of your sister and her jerky husband.â
Harriet answered, âOh come on. You know you really like Norman.â
âHarriet, the idea of Norman doesnât put a smile on any part of my body.â
âGet ready. Put your shoes on.â
âWhy? They know I have feet.â
âCome on, you know itâs become a tradition to have them over on Sundays.â
âTradition? Now listen Harriet. Decorating a Christmas tree is a tradition. Fireworks on the Fourth is a tradition. But having your sister and her jerky husband over here to park their carcasses on my couch, watch my TV and scarf down all the cashews from the mixed-nut bowl is not my idea of a tradition!â
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I didnât get the role. I think I read it with too much of an edge, actually. Too East Coast intellectual. So I was on my way out andâthe Lord works in strange waysâlo and behold, I ran into Roland Joffe, who was there casting The Killing Fields. Warner Brothers was putting money into the film and they were going to distribute it, so they were letting him use an office. Roland said, âLetâs chat again.â
I went home and put on my white shirt and my pink tie and my tweed jacket and went back to the studio. Once again Roland talked to me, this time for forty-five minutes. He did all the talking again, about what an incredible country Cambodia was before it was colonized, that it had a strain of Buddhism so permissive and so sensual that the Cambodians seemed to have
done away with unnecessary guilt. Compared to Cambodia, Thailand was a Nordic countryâThailand was like Sweden compared to Cambodia, which was more like Italy. Ninety percent of the Cambodians owned their landâit was dirty land, it was earth, but it was clean. Earth dirt. Clean dirt. And they were so happy.
The Cambodians knew how to have fun. They knew how to have a good time being born; how to have a good time growing up; a good time going through puberty; a good time falling in love and staying in love; a good time getting married and having children; a good time raising children; and a good time growing old and dying. They even knew how to have a good time on New Yearâs Eve. I couldnât believe it.
The only thing, according to Roland, was that they had lost touch with evil. Because it was such a beautiful, gentle land, theyâd lost touch with evil. The situation was something like that of the Tantric colonies on the East Coast of India. They were so open down there that the Huns just came in and