and a half weeks. Gloria in excelsis Deo .
Her mother finally decided on the trees and the broken-down fence, and she praised Margaretâs taste. For years, she had paid compliments meant to encourage Margaretâs artistic talent. She thought Margaret should be a painter. Margaret hadnât painted in years, not since high school. She hated to think of the paintings she had produced, the lame attempts at drama and shock (a dead squirrel she found in the backyard that she painted in various stages of decomposition, a sequence of dead flowers in expensive cut-glass vases) and the cheap symbolism she sometimes attempted as a commentary on current eventsâlike Reagan grinning on a television screen that was really a coffin. She knew she couldnât paint, even if her mother didnât have the sense to realize it. Or maybe her mother did, and encouraged her anyway because she was perverse, or because she wanted Margaret to be mediocre, or because she wanted Margaret to get off her butt and back in touch with reality.
Except that now she was exempt from getting off her butt because she had a cold. She wondered how long she could hang on to her precious germs. She thought about writing a poem, âTo a Virus,â the way poets used to write poems to mice and fleas. Hail thou microscopic beastie. On my blood thou hast thy feastie . It was pleasant to be sick. Her father ran errands for her. Her mother made hot toddies, lentil soup, custards. She framed a print of the trees and gave it to Margaret to cheer her up, propping it on the top shelf of her bookcase between the pottery vase full of chrysanthemums and the old-fashioned wind-up alarm clock.
Her motherâs passionate quest for domestic perfection usually seemed to Margaret a form of insanityâeverything relentlessly clean, tidy, and aesthetically pleasing, the whole house a monument to anal retentiveness. Or to her parentsâ empty marriage. Or her motherâs vague but stifled creativity. Whatever. But when she was ill she liked it. Sunlight, flowers, neat bare surfacesâthey made her feel pampered, like a movie heroine with a wasting disease, someone beloved who would be missed when she was gone. Everything was ready: the camera crew could move right in, wouldnât have to touch a thing. Just dab some makeup on her red nose.
She liked the tree photograph. It would be one of the things she would take to California, as a souvenir. It was perfect: dead-looking trees, photographed by her mother.
âIt looks nice on the shelf,â Margaret said.
âItâs pretty bleak,â her mother said dubiously.
âItâs supposed to be bleak, Ma. November is the bleakest month.â
Her mother smiled at her, as she always did at the hint of a literary allusion, any evidence that nearly three years at Harvard plus a home life rich in culture had done its work. âAre you reading anything good?â she asked. âBesides House and Garden ?â
Margaret held it up, open to the stables people. âJames goes to Oxford, Alexanderâs at Eton, and Charlotteâs won the watercolor prize three years in a row at her school. And lookâthatâs Tonyâs little playhouse.â
âPlease, Margaret,â her mother said. âLetâs not have our House and Garden argument again.â
âIâm also reading Middlemarch .â
âGodâwhatâs that? The fifth time?â Her mother used to be proud of her for reading it so many times. Lately it was worrying her. It was like when Margaret was eleven and used to read about keeping bees. She wrote to the Department of Agriculture and the National Beekeepersâ League for pamphlets, and subscribed to an English publication called The Apiarist . Her Bible had been The ABC and XYZ of Bee Culture . At first her mother thought it was cute, an eleven-year-old who knew, and would tell you, that bees wonât fly unless the temperature is at