know.â
âI know,â said David, his voice at a distance from Leslieâs enthusiasm. âI didnât think anyone actually bought that stuff.â
âWell, I did. I thought it would help to support those prisoners who are doing something
creative
,
instead of . . . well, instead of destructive things.â
âCreativity isnât always an index of niceness, Leslie,â David warned his wife.
âWaitâll you see it before passing judgment,â she said, opening the flap of the box. âThereâisnât that nice work?â She set the piece on the coffee table.
Dr. Munck now plunged into that depth of sobriety which can only be reached by falling from a prior alcoholic height. He looked at the object. Of course he had seen it before, watched it being tenderly molded and caressed by creative hands, until he sickened and could watch no more. It was the head of a young boy, a lovely piece discovered in gray formless clay and glazed in blue. The work radiated an extraordinary and intense beauty, the subjectâs face expressing a kind of ecstatic serenity, the convoluted simplicity of a visionaryâs gaze.
âWell, what do you think of it?â asked Leslie.
David looked at his wife and said solemnly: âPlease put it back in the box. And then get rid of it.â
âGet rid of it? Why?â
âWhy? Because I know which of the inmates did this work. He was very proud of it, and I even forced a grudging compliment for the craftsmanship of the thing. But then he told me the source of his model. That expression of sky-blue peacefulness wasnât on the boyâs face when they found him lying in a field about six months ago.â
âNo, David,â said Leslie as a premature denial of what she was expecting her husband to reveal.
âThis was his most recentâand according to him most memorableââfrolic.ââ
âOh my God,â Leslie murmured softly, placing her right hand to her forehead. Then with both hands she gently placed the boy of blue back in his box. âIâll return it to the shop,â she said quietly.
âDo it soon, Leslie. I donât know how much longer weâll be residing at this address.â
In the moody silence that followed, Leslie briefly mused upon the now openly expressed departure from the town of Nolgate, their escape. Then she said: âDavid, did he actually talk about the things he did? I mean aboutââ
âI know what you mean. Yes, he did,â answered Dr. Munck with a professional gravity.
âPoor David,â Leslie said, lovingly sympathetic now that machinations were no longer required to achieve her ends.
âActually, it wasnât that much of an ordeal, strange to say. The conversation we had could even be called stimulating in a clinical sense. He described his âfrolickingâ in a highly imaginative manner that was rather engrossing. The strange beauty of this thing in the box hereâdisturbing as it isâsomewhat parallels the language he used when talking about those poor kids. At times I couldnât help being fascinated, though maybe I was shielding my true feelings with a psychologistâs detachment. Sometimes you just have to keep some distance between yourself and reality, even if it means becoming a little less human.
âAnyway, nothing he said was sickeningly graphic in the way you might imagine. When told me about his âmost memorable frolic,â it was with a powerful sense of wonder and nostalgia, shocking as that sounds to me now. He seemed to feel a kind of homesickness, though his âhomeâ is a ramshackle ruin of his decayed mind. His psychosis has evidently bred an atrocious fairyland which exists in a powerful way for him. And despite the demented grandeur of his thousand names, he actually sees himself as only a minor figure in this worldâa mediocre courtier in a broken-down