raised bonnet and bobbed encouragingly at him.
“Found the right bracket, sir—just the job!” He plunged his head back quickly, before Roche could question him or God could strike him down for bearing false witness against the British Motor Corporation.
Roche nodded uselessly at his back, and continued his aimless saunter, back on to the forecourt, slowly past the pumps, to the very edge of the highway.
He glanced down the road incuriously, and then looked at his watch, hunching himself momentarily against the chill wind of a failed English August. He wished that he hadn’t given up smoking, but perhaps the new Roche would start smoking again. He had given up cigarettes because Julie didn’t like them, and had started drinking instead; and it had been Jean-Paul who was always cautioning him to give up drinking, or almost, because he was drinking too much and too often. But the new Roche owed allegiance to neither Julie nor Jean-Paul, only to himself; and although the new Roche now also frowned on drink, which warped the judgement, cigarettes only sapped top physical performance … and the ability to run away was no longer an essential requirement, with what he had in mind for himself.
Meanwhile, he let himself seem to notice the church on the other side of the road for the first time. It was a very ordinary sort of church, old but not ancient, with a squat spire only a few feet above the roof and a lych-gate entrance to the churchyard. A dozen yards along from the lych-gate there was the opening of a narrow track which appeared to skirt the churchyard wall, leading to the rear of the church. In the opening of the track a dark-green Morris Minor van was parked, with an overhanging extending ladder fixed to its roof, from the end of which a scrap of red rag hung as a warning. A nondescript man in blue overalls, with a cigarette end in his mouth and a Daily Sketch in his hands, leaned against the van, the very model of a modern British workman as portrayed in the cinema and the Tory newspapers, reality imitating the art.
Or not, as the case may be, decided Roche, having already noted the man as he had coaxed the car into the garage and observing now that there was no one else in view—maybe art imitating reality imitating art. And it was time to find out.
He took a last look at the garage workshop, waited for a lorry to pass, and then strolled across the road to a point midway between the lych-gate and the track.
Somewhat to his disappointment the man gave no sign of interest in him beyond the briefest blank-eyed glance over the top of his paper.
Roche paused irresolutely for a moment, looking up and down the empty road again. Then his confidence reasserted itself, on the basis that he had nothing to fear.
If he was wrong about the man, it didn’t matter. And if he was right, whether the man turned out to be his contact or a mere look-out, it had been foolish to expect anything else: if he was the look-out then he, Roche, was the one person on earth who wasn’t worth a second glance; and if he was the contact then the empty roadside was the last place on earth for a comradely embrace and the exchange of confidences. It made him positively ashamed of the new Roche’s naivete; the old Roche, that veteran of a hundred successfully clandestine meetings, would never have let his imagination set him off so prematurely.
Nothing to fear. He had told them where he was going, and they had set up this meeting, deliberately within his time schedule; and if it was that lunportant to them —or even if it wasn’t—they could be relied on to oversee their security; so that if there was the least doubt about that security then there would simply be no contact, and he would have to soldier on until they were ready to try again.
He pushed through the gate and crossed the few yards to the porch with the unhurried step of a Roche with a clear conscience and half an unscheduled hour to kill. If they didn’t make contact it