ColaCorp ad runs two or three more times while I wait and then, at just the moment the Martian colonist begins to age for the fourth time, the PrismBoard goes dark. Now, only the blue lights of the tall towers that disappear into the cloud cover below Upper New York remain. Upper New York blocks out the night sky. Strange, eerie lights move back and forth up there, above the cloud bottoms. The dark feels more sinister as those faraway lights provide the only illumination down here in the dark remains of a mostly forgotten old New York.
I feel that preconcert moment before the main act comes on. When itâs dark and you feel like something important is about to happen. Or at least you did, when you were young and a band seemed like it might be something more than it was.
The WonderSoft logo appears on the PrismBoard as French horns, mournful, tiresome, noble nonetheless, begin to serenade the nearby streets with the coming of WonderSoftâs endless barrage of SoftLife products. In front of me, in the middle of the street, a bum in silhouette passes by while techno-Gregorian chants promise both of us hope in a bubble.
What does that bum want from life? Glory days remembered, youth retained, a friend long gone, never returning, suddenly appearing. WonderSoft wants him to have the latest SoftEye. He passes on, oblivious to the expensive marketing of WonderSoftâs next gen product, my defeat, their victory.
âTwo sides of the same coin,â says a voice from the shadows behind me. I turn and see a tall and very thin man. Shadows abound all around us as the light from the PrismBoard shifts, and for a moment all I can see is a long coat, a wide flat hat, and a SoftEye gently pulsing purple in the left eye of the stranger. Then I can see all the images of WonderSoftâs ad playing out across him and the light-turned-bone-white alley he stands in.
âI say, two sides of the same coin, isnât it?â he repeats. His voice reminds me of some English actor from one of the period piece dramas Sancerré watches only for the outfits, or so I suspect. Like a violin playing Mozart. With malice.
âI donât follow . . . ,â I mumble.
âOneâs defeat, anotherâs victory. Your loss, someoneâs gain.â Now WonderSoftâs Voice of the Ages begins to sell product above and behind me on the giant shining PrismBoard.
âSOFTLIFE, ITâS NOT JUST A DREAM ANYMORE . . .â
âWho cares, though? We were tired of the old, give us the new,â continues the thin man from the shifting shadows. âA new liberator has come to save us from the shackles of ColaCorp, or U-Home, or UberVodka, or TarMart, or, yes, even someday, WonderSoft.â Golden light erupts across the street as the PrismBoard gyrates wildly to the exciting new life WonderSoft promises. From the shadows the thin man steps forward and I can see him clearly now as the light display floods his face with a thousand sudden images.
âDREAMS, LIFE, LOVE, SEX, FRIENDS, FAMILY, POWER, SOFTLIFE OFFERS ALL THIS AND . . . ,â intones WonderSoftâs Voice of the Ages.
âDeath to the tyrant, hail the new Caesar!â shouts the thin man above it all and throws his long arms sickeningly wide. In the golden light of the PrismBoard I see that he is not so much a thin man, but more a bony man. A man whose skin is so tightly stretched, it shows all the bones in his face.
A man made of bones.
âFaustus Mercator, commenter on things past, things to come, and . . .â He laughs. âAll things in general, really. Butcher, baker, and of late, kingmaker. At your service.â He removes his hatâdoffing it, I think they used to say in old bound booksâand makes a slight bow, never once taking his SoftEye off me. The skin of his skull is dry and tight and, as I said, bony. Every ridge, protrusion, and scar is seen beneath the shaved, dark stubble of his bulbous