entered. Nor wished to.
Still we have put our mark on this place, Martin and I. The floor tiles rise periodically, reminding us they are now nine years old. The utility room is so filled with ski equipment that we call it the ski room. The dining ell has been partitioned off with a plywood planter which looks tacky and hellish, though we thought it a good idea at the time. Hosiery drips from the shower rail in the en suite bathroom. In the cool dry basement our first married furniture glooms around the furnace, its Lurex threads as luminous and accusing as the day we bought it; Richardâs electric train tunnels between the brass-tipped legs. The spacious garden is the same flat rectangle it always was except for a row of tomato plants and a band of marigolds by the fence.
The house that I once held half-shaped in my head was old, a nook-and-cranny house with turrets and lovely sensuous lips of gingerbread, a night-before-Christmas house, bought for a song and priceless on todayâs market. Hung with the work of Quebec weavers, an eclectic composition of Swedish and Canadiana. Tasteful but offhand. A study, beamed, for Martin and a workroom, sunny, for me. Studious corners where children might sit and sip their souls in pools of filtered light. A garden drunk with roses, crisscrossed with paths, moist, shady, secret.
This place, 62 Beaver Place, is not really me, I used to say apologetically back in the days when I actually said such things. âWeâre just roosting here until something âusâ turns up.â
I never say it now. If we wanted to, Martin and I could look in his grey file drawer next to his desk in the family room. Between the folders for Tax and Health, we would find House, and from there we could pluck out our offer-to-purchase, the blueprints, the lot survey, the mortgage schedule and, clipped to it, the record of payments along with the annual tax receipts. Itâs all there. We could calculate, if we chose, the exact dimensions of our delusions. But we never do. We live here, after all.
Up and down the gentle curve of Beaver Place we see cedar-shake siding, colonial pillars, the jutting chins of split-levels, each of them bought in hours of panic, but with each one, some particular fantasy fulfilled. The house they never had as children perhaps. The house that will do for now, before the move to the big one on the river lot. The house where visions of dynasty are glimpsed, a house future generations will visit, spend holidays in and write up in memoirs. Why not?
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Something curious. One day last week, having been especially energetic about Susanna Moodie and turning out six pages in one morning, I found myself out of paper. There must be some in the house, I thought and, although I prefer soft, pulpy yellow stuff, anything is useable in a pinch, I searched Meredithâs room first, being careful not to disturb her things. Everything there is so carefully arranged; she has all sorts of curios, souvenirs, snapshots, a music award stenciled on felt, animal figurines she collected as a very young child, cosmetics in a pearly pale shade standing at attention on her dresser. Everything but paper.
In Richardâs room I found desk drawers filled with Anita Spaldingâs letters, each one taped shut from prying eyes. Mine perhaps? Safety patrol badges, a map of England with an inked star on Birmingham, a copy of Playboy, hockey pictures, but not a single sheet of useable paper.
Martin will have some, I thought. I went downstairs to the family room to look in his desk. Nothing in the top drawer except his Xeroxed paper on Paradise Regained, recently rejected by the Milton Quarterly. In his second drawer were clipped notes for an article on Samson Agonistes and offprints of an article he had had printed in Renaissance Studies, the one on Miltonâs childhood which he had researched in England. The third drawer was full of wool.
I blinked. Unbelievable. The drawer was stuffed