before, and what kind of tipper she was.
5
Graham Knox had recognized her when heâd served her in Goyaâs that afternoon. Allie Jones. It was the first time heâd seen her in the restaurant. Heâd considered introducing himself to her but didnât quite know how. âHi, I live upstairs from you and can hear everything that goes on in your apartment through the ductwork,â didnât seem a wise thing for a waiter to sayâit was the sort of remark that might prompt the flinging of food.
Several months ago, curiosity had goaded Graham to find out what his downstairs neighbor looked like. Heâd lurked about the third-floor hall like a burglar until heâd seen her emerge from her apartment. Already heâd gotten her last name from her mailbox in the lobby.
Seeing her up close this afternoon had changed things somehow, made her vividly real and his eavesdropping both more intimate and shameful, no longer an innocent diversion before sleep. But the vent was beside his bed; there was no way not to hear what went on in the apartment below. Even in his living room, when he was working and didnât have the stereo or TV on, sound from her living room carried through the ducts. It wasnât exactly as if he were in the room with her and whoever she was talking with, but he might as well have been in the next room with his ear pressed to the door.
And now heâd seen her up close, and she was interesting. In fact, fascinating. Much more attractive than from a distance. Direct gray eyes. Soft blond hair that smelled of perfumed shampoo. Firm, squared chin with a cleft in it. She had a sureness about her that was appealing and suggested a certain freedom. Not like the rest of us; a woman with a grip on life.
Grahamâs apartment was cheaply furnished, mostly with a hodgepodge of items heâd bought at secondhand shops. The living room walls were lined with shelves heâd constructed of pine and stained to a dark finish. The shelves were stuffed with theatrical books, mostly paperbacks, that heâd found in used bookstores on lower Broadway. One glance at the apartment might give an interior decorator a month of nightmares, but it was neat, functional, and comfortable. Despite the deprivation, Graham liked it here.
Both apartments were quiet now. Graham was in his contemplative mode, and Allie and Sam had either left or gone into the bedroom.
Graham puffed on his meerschaum pipe and paced to the window, then stared out at the darkening city. Some of the cars had their headlights on, and windows were starting to glow in random patterns on the faces of buildings. New York was putting on her jewelry, hiding squalor with splendor.
Four years ago heâd been divorced; heâd put a genuinely horrific marriage out of its misery before children arrived. Six months later, after quitting his job in Philadelphia to pursue his true calling, Graham had moved to New York and attempted to get one of his plays produced.
Some move! Even the lower echelons of the New York theater world werenât impressed by a real-estate agent from Philadelphia with the chutzpah to fancy himself a playwright. Didnât he know there were a million others in his mold?
With a final glance outside, he turned from the window and crossed the living room to an alcove directly above the one in Allieâs apartment. There a thick sheet of plywood was laid over two black metal filing cabinets, creating a desk that supported a used IBM Selectric, a phone and answering machine, stacks of paper, and several reference books. Graham sat down on the folding chair in front of the makeshift desk and got Dance Through Life out of the top drawer of one of the filing cabinets. Dance was the play heâd been working on for over a year. An off-Broadway company had expressed interest in producing it, if he could satisfy them with some suggested revisions in the last act. He didnât agree with some of the