across the hall, a print he bought after attending the Picasso and Portraiture show with Cathy at MOMA. It was Cathyâs idea. She loved the facial distortion and thought the colors were just what Jukesâs living room needed. And of course he went along with it, not really in love with the thing, but to make her happy. And it said something about Cathy. But tonight Dora Marr made him uneasy and he avoided looking at the picture.
He phoned Cathy at the Doral Hotel, and she agreed to come right over.
For the last two years Cathy had been living with Bobby Sudden, a photographer. Jukes disliked photographers, he thought they were all voyeurs, but Bobby seemed particularly bad. When Cathy showed him some of Bobbyâs pictures he had to bite his tongue Jukes thought Bobbyâs work violent and brutish, the worst kind of crap masquerading as art.
He leafed through a book of Bobbyâs photos that Cathy had given him as a gift last Christmas. He kept it out of a sense of morbid fascination, but then he kept everything Cathy gave him. And that book never failed to depress him; page after page of moody black-and-white images of girls with bored, dangerous faces, in various bondage scenarios. It was the overall attitude of Bobbyâs work that Jukes found offensive: the depiction of women, of his sister , as objects, as slaves, as unhappy victims in Bobbyâs perverted fantasies. Jukes found nothing erotic about it; in fact, he found it repugnant.
Wedged between two of the pages was one old photo of Cathy before Bobby. It was a color print of her first modeling card, when Cathy was an ingenue with a future as bright as her smile. Her face beamed; she looked the very essence of unspoiled beauty. In contrast, Bobbyâs dark images of her were of a completely different person.
Another piece of paper detached itself from the book and fluttered to the floor. As he bent over to retrieve it, he realized with a scowl what it wasâa doctor bill from Bobbyâs last tirade. He scanned it for the hundredth time, still not wanting to believe.
That son of a bitch has beaten her up for the last time . Jukes felt his rage dilate and focus on Bobby.
Jukes looked at the doctor bill and remembered how he had insisted that she file charges with the police, which she did, and later dropped.
And then, incredibly, against Jukesâs pleading and every logical argument, she went back to that monster again.
Jukes blamed himself. For all his professional training, Jukes was impotent when it came to Cathy.
He begged his sister to move out, to leave Bobby, but she stayed. For some unknown and terrible reason, she loved Bobbyâand it was killing her.
Down deep, Jukes had always believed that Cathy was the reason he became a psychiatrist. Yet he never understood her, even though theyâd grown up together. Everyone else, it seemed, he could help, but not Cathy, and that rankled Jukes.
She seemed to be slipping further away, and Jukes was determined to pull her back.
He shuddered to think what his parents would have said: âInstead of watching over her, youâre watching her destroy herself.â
But as easy as it had been for him to understand the monster Bobby, thatâs how hard it was for him to fathom his own sister, the victim Cathy. Knowing her background, he agonized that he could not think of one event, one unhappy period of time, one tragedy, other than the death of their parents, that would have shaped so strongly a victimâs personality. Whatever events that caused Cathyâs problems were part of her secret life, the part of her she never showed Jukes. The part Bobby lived in.
The doorbell rang, bringing Jukes back.
He opened the door and looked into Cathyâs blackened eyes. His stomach turned.
The insanity of the situation overpowered him, and he fell into the easy grip of helpless rage. She stood there in the doorway like a monument to his failure. He stepped forward and threw