other the set of letters she wrote secretly in the months before he left, trying to imagine what he might need to hear. Occasionally he has allowed himself the strange pleasure of opening one letter from each set on the same day. A rounded image of Clara appears when he reads them side by side: she is
with
him. And this fills him with a desire to offer back to her, in his letters, his truest self. He wants to give her everything: what he is seeing, thinking, feeling; who he truly is. Yet these days he scarcely recognizes himself. How can he offer these aberrant knots of his character to Clara?
He tries to imagine himself into the last days of her pregnancy, into the events of Gillian’s birth, the fever after that. He tries to imagine his family’s daily life, moving on without him. Clara is nursing Gillian, teaching Elizabeth how to talk, tending the garden, watching the flowers unfold; at night, if she is not too weary, she is bending over her dictionary and her German texts, and then … He wonders what would happen if he wrote,
Tell me what it feels like to lie in our bed, in the early morning light, naked and without me. Tell me what you do when you think of me. What your hands do, what you imagine me doing.
He doesn’t write that; he doesn’t write about what he does to himself on a narrow cot, in a tent made from a blanket strung over a tree limb, the wind whistling as he stifles his groans with a handkerchief. Even then he doesn’t feel alone. Close by, so near, his companions stifle noises of their own. His only truly private moments are these: bent over a blank page, dreaming with his pen.
3
June 11, 1863
Dearest, dearest Clara:
The packet containing this letter will follow a very zigzag course on its way to you; a miracle that my words reach you at all. Or that yours reach me—how long it has been since the last! A ship that sailed from Bordeaux in March is rumored to have arrived at Bombay and will, I hope, have letters from you. Others from England have reached me—yet none from you—which is why I worry so. But already I hear your voice, reminding me that the fate of mail consigned to one ship may differ so from that consigned to another. I know you and the girls are well.
I am well too, although worried about you. I do what I can to keep busy. Did I tell you that I received, in response to some modest botanical observations I had sent to Dr. Hooker, a brief reply? He corrected my amateur mistakes, suggested I gather some specimens for him, and told me his great love of mosses dated from the time he was five or six. His mother claims that when he was very tiny he was found grubbing in a wall, and that when she asked what he was doing, he cried that he had found
Bryam argenteum
(not true, he notes now), a pretty moss he’d admired in his father’s collection. At any age, he says—even mine—the passion for botany may manifest itself.
I found this touching and thought you would too. And I’m honored that he would answer me at all. In the hope of being of further use to him, I plan to continue my observations. Where I am now—deep in the heart of the Karakoram—nothing grows but the tiny lichens and mosses that are Dr. Hooker’s greatest love. I can classify hardly any of them, they’re extremely difficult. Except for them the landscape is barren. No one lives here: how would they live? Yet people do pass through from the neighboring valleys, the glaciers serving as highways through the mountains: I have met Hunzakuts, Baltis, Ladakhis and Nagiris and Turkis. But so far no travelers from home, although I hear rumors of solitary wanderers, English and German and French. One elderly adventurer has apparently haunted these mountains for decades, staying at times in Askole and Skardu; traveling even on the Baltoro Glacier and its branches—can this be true? If he exists, no one will tell me his name.
Around me is a confused mass of rock and glacier and mist, peaks appearing then disappearing